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September 7 - 29, 2024 , Allen Theatre

Pride and Prejudice

written by Kate Hamill
directed by Michael Barakiva
based on the novel by Jane Austen

Run time: Approx. 2 hours and 39 minutes, including intermission.
Advisory: Misogynistic/sexist attitudes and opinions, expressed comically

Presented by

KeyBank

Jane Austen’s most beloved work brought to life! The outspoken and fiercely independent Elizabeth Bennet is determined to remain single, despite mounting pressure from her hovering and meddlesome mother. How will she be able to resist love in Regency-era society, even from the amusing, handsome, and somewhat aggravating Mr. Darcy? This classic English love story is a surprisingly hilarious, refreshingly modern romcom that celebrates the thrills of finding your perfectly imperfect match.

Previews: Sept 7-12 | Opening Night: Sept 13

Photos & Videos Download Hi Res Photos

Shunté Lofton and Christian Pedersen in the CPH Production of PRIDE AND PREJUDICE. Photo by Roger Mastroianni.

Christian Pedersen, Ari Derambakhsh, Alfredo J. Ruiz, Marianna Gailus, and Shunté Lofton in the CPH Production of PRIDE AND PREJUDICE. Photo by Roger Mastroianni.

Marianna Gailus and Reece Dos Santos in the CPH Production of PRIDE AND PREJUDICE. Photo by Roger Mastroianni

Marianna Gailus, Christopher M. Bohan, and Shunté Lofton in the CPH Production of PRIDE AND PREJUDICE. Photo by Roger Mastroianni.

Christian Pedersen, Christopher M. Bohan, Colleen Longshaw Jackson, Ari Derambakhsh, Marianna Gailus, and Shunté Lofton in the CPH Production of PRIDE AND PREJUDICE. Photo by Roger Mastroianni

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As a young adult, around what topics did you experience the most tension and conflict with your parents? How did you handle it? How did they respond? In retrospect, as an adult, do you feel differently now than you did then — and what would you tell your younger self? Or do you still stand by your point of view?

Have you ever been attracted to someone who seems the complete opposite of you in every possible way? What were you drawn to about them? What repelled you? What did your interactions with them look like? And most importantly, what happened? Did the romance ever come to fruition?

What’s your favorite game — board, video, online, or otherwise? What do you enjoy about it? How does it affect you? Are you competitive at all? Thinking to your everyday life, are there any ways that you “play games” with other people? What are the games and how do you behave?

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Jane Austen in Literature’s Litany of Libbers

Jane Austen is a significant figure in the line of feminist literary luminaries. In the world of her books, as well as the world around her, marriage was very much thought to be a necessity for young ladies; success and upward mobility were almost entirely placed upon a woman’s ability to secure a favorable marriage. That said, where Jane Austen’s oeuvre makes strides against the patriarchal status quo is the agency she places in her female characters to control the arrangements that govern their futures. Austen’s female characters strive for equality with their male counterparts; the stories come to resolution only when the pair find a mutual respect and equivalent share in their partnership.

Austen spent her teenage years developing these renegade women in her writing, authoring stories of young women who would drink, steal, overeat, and all other manner of “un-lady-like” behavior. Influences may have been readily available, as Jane’s and her elder sister’s formal schooling was short-lived (Jane was only 10 when illness brought her and her sister home) and her homeschooling was framed by a household of six brothers, cleric apprentices who would board at the Austen home under the tutelage of Jane’s father, and a small operational farm to tend.

At age 15, Jane’s father moved the family from the country to town, where “society life” made its impression on Jane. When Jane was 20, her father died suddenly, requiring the Austen women to downsize and travel to live with relatives, further cementing the shift away from country life for the next four years, at which point, her brother, Edward, secured a house on his Chawton estate for the Austen women. It’s at this warmly received homestead that Jane Austen was able to revamp her earlier stories and get them published. Pride and Prejudice, originally authored in 1797 (age 22) entitled “First Impressions,” was finally published in 1813 (age 38) after the Chawton house treatment.

Jane Austen’s work is prized for depicting the life and struggles of the middle class and elevating the female characters with agency and choice, while poking fun at the genre of sentimental comedy which was very popular for the era.


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A Libber Legacy

Sappho (620 B.C.E. - 570 B.C.E) was an ancient Greek poet from the island of Lesbos in Greece. Her work included odes to goddesses and descriptions about the education and instruction for the community of women of which she was the leader.

Christine de Pizan (1364 – 1430) was a court writer in medieval France. Started out by writing ballads that were quickly noticed by the court officials who took to being patrons of her work. From her position as writer she rose in status and position to consult and advise the newly situated young dauphin on how to govern.

Mary Wollstonecraft (1759-1797) was a philosopher, writer, and activist for women’s rights. She wrote a huge range of texts, from a children’s book to a history of the French Revolution.

Mary Shelley (1797 - 1851) was the daughter of Mary Wollstoncraft and was an early pioneer of the science fiction and horror genres.

Fanny Burney (1752 - 1840) was a satirical novelist, diarist, and playwright whose works, like those of Austen’s, poked fun at high society’s notions of decorum while maintaining a lens for what it means to be a woman navigating these terrains of pomposity.

Margaret Fuller (1810-1850) was an American journalist, editor, critic, translator, and women's rights advocate associated with the American transcendentalism movement. She was the first American female war correspondent and full-time book reviewer in journalism. Her book Woman in the Nineteenth Century is considered the first major feminist work in the United States.

Lucretia Mott (1793 - 1880) was a powerful orator whose writings and activism pursued the course of freedom and equality. She was an ardent supporter of the abolishment of enslavement, and for the rights to vote, to an education, and economic aid for Black Americans and women alike.

Florence Nightingale (1820 - 1910) was a writer, reformer, statistician, and founder of modern nursing. Her work paved the way for greater education and professional opportunities for women. Her writings advocated for healthcare accessibility, greater resources to combat hunger in India, and abolishing prostitution laws that brutally targeted marginalized classes of women. Much of her writing was educational and accessible to a wide range of reading abilities. She also wrote about religion and mysticism.

Charlotte Bronte (1816 - 1855) was a novelist and poet and the eldest of the three Bronte sisters. Her novel Jane Eyre, originally published under the pseudonym Currer Bell, was a smash hit even as it took a pointedly critical look at religious and educational institutions while identifying the failures of a society that insists on rigid lifestyles for women. This is echoed in greater depth in her third novel Villette.

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In the spirit of bringing ourselves to the Regency Era here and now, we thought it appropriate to tell you that the Regency Era is coming to Cleveland HERE and NOW! This fall the Jane Austen Society of North America (Southwest Region) is holding their annual general meeting in Cleveland, Ohio. There will be keynote speakers and lectures on Jane Austen’s literary, political, and cultural origins, encompassing a massive range of related topics. There will be crafting and dance workshops, historical and cultural tours, and so much more!

Register now and don’t miss your chance to be a part of this hands-on experience of literary history. https://jasna.org/agms/cleveland2024/welcome.php

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For those looking to capitalize on the romantic themes of the play, may we direct you to some ways you can “come out to society” 2024 style? On the subject of match-making, speed dating, and connecting, society has come a long way, but it is not without substantial challenges. Here are some groups who are doing what they can to help.

Extravagant Love Events and Socials

It’s Just Lunch Cleveland

Cleveland Speed Dating

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It wasn’t love at first sight, nor were they star-crossed lovers.

Jane Austen’s iconic literary love story teases, tortures, touches, and delights because of the way the characters defy and subvert certain conventions of budding romance. Surely, at the beginning of the story, if you had asked either Elizabeth Bennet or Fitzwilliam Darcy to describe their ideal partner, they would not have described each other.

Share with us how you would describe your ideal partner - or - maybe describe what you imagined your ideal partner to be when you were younger (perhaps with a certain degree of pride or prejudice in your gaze). If you’re so moved, post of picture of a celebrity crush or fictional character that encapsulated those qualities and tag us at #CPHPrideAndPrejudice #CPHRegencyRomance.

When I was a kid, I thought braces were an obvious sign of maturity, sophistication, and mystique; therefore, I had youthful imaginary crushes on the likes of Ugly Betty, Eliza Thornberry, and Shannon “Unit” from Whatever Happened to Robot Jones?

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experience experience

Travel back in time to an era without smartphones or screens for our amusement. Where the next swipe of entertainment was one of wits in a game of riddles or a literal swipe, reaching for someone to touch in a game of blindfolded tag. Welcome to the Regency Era where parlor games are all the rage.

In the spirit of fun and revelry, take a moment away from the screen and party like it’s 1799 by trying out some of these games:

BLIND MAN’S BLUFF

Version 1: If you’ve ever played Marco Polo in a pool, this is similar. Essentially it’s a game of tag where the person who is “it” is blindfolded. The game is confined to smaller space, and the runners may try to fool or coax the blindfolded tagger so long as they’re not touched by their hand.

experience

Version 2: One person is blindfolded and addresses the other players who are seated. The Blindfolded player scouts out who to address by touching knees and then asks the player a question. The seated player then does their best to answer the questions while disguising their voice. After asking each seated individual a question, the blindfolded individual must try to identify who is in which chair.

BULLET PUDDING

Gather a large hill of flour on a table top - packing it as best as you can to achieve the greatest height possible. Traditionally, you would then place a bullet on the peak of that hill of flour, but any small object may do just fine. Players then take turns cutting away slices of the “pudding” trying their best to not disturb the bullet’s (or object’s) position. If it falls as a result of someone cutting away too significant a slice, that person must then fish out the bullet (object) with their mouth being careful not to laugh despite the silliness for fear of flour going in their nose and all over the place.

A GAME OF GRACES

Imagine playing catch with a ball. Now replace that ball with a lightweight wooden hoop; and instead of using a mit or glove, you’ve got a dowel wand to do the catching and tossing.

experience

Artists

Madalyn Baker

Madalyn Baker

(Ensemble, Understudy: Lizzy Bennet) is an actor, illustrator, and musician originally hailing from Northern California. She earned her BA in Theatre from Fordham University, and spent many years creating and performing in spaces all around NYC. In addition to being an actor, she writes music, and has her own more(Ensemble, Understudy: Lizzy Bennet) is an actor, illustrator, and musician originally hailing from Northern California. She earned her BA in Theatre from Fordham University, and spent many years creating and performing in spaces all around NYC. In addition to being an actor, she writes music, and has her own illustrative art brand called Maddle Baddle. She draws everything from silly cartoons to her own custom deck of playing cards! To learn more about Madalyn, you can check out her work at Madalynbaker.com, or @madmaddybaker.

Christopher M. Bohan

Christopher M. Bohan

(Charlotte Lucas/Mr. Bennet) is thrilled to be making his CPH debut. He teaches acting at Case Western Reserve University, and is an artistic associate with the Great Lakes Michael Chekhov Consortium. Cleveland credits include Doubt, The Pitman Painters and Glengarry Glen Ross (opposite Austin Pendleton) at The Beck Center, more(Charlotte Lucas/Mr. Bennet) is thrilled to be making his CPH debut. He teaches acting at Case Western Reserve University, and is an artistic associate with the Great Lakes Michael Chekhov Consortium. Cleveland credits include Doubt, The Pitman Painters and Glengarry Glen Ross (opposite Austin Pendleton) at The Beck Center, and How to be A Respectable Junkie, Peter and the Starcatchers, The Lyons, and The Flick at Dobama. Upcoming films include Unsinkable and Lost and Found in Cleveland. He earned his MFA in Performance from Wayne State University and his a BA in theater and economics from Lehigh University. He is a proud graduate of St. Ignatius High School and is a member of AEA and SAG-AFTRA.

Ari Derambakhsh

Ari Derambakhsh

(Lydia Bennet/ Miss De Bourgh) is a New York based actress originally from Los Angeles. She recently played the role of Goli in the 2023 Pulitzer-Prize winning play English at The Old Globe Theatre in San Diego. Additional theatre credits include the world premiere of The Bookstore at NJ more(Lydia Bennet/ Miss De Bourgh) is a New York based actress originally from Los Angeles. She recently played the role of Goli in the 2023 Pulitzer-Prize winning play English at The Old Globe Theatre in San Diego. Additional theatre credits include the world premiere of The Bookstore at NJ Repertory Company, Twelfth Night and The Winter’s Tale at Shakespeare’s Globe in London, and English at Berkeley Repertory Theatre. She has appeared in festivals and readings at The Kennedy Center, Amphibian Stage, Crossroads Theater Co, and Rattlestick NY. Ari received her BFA in Acting from Rutgers University, Mason Gross School of the Arts and Rutgers Conservatory at Shakespeare’s Globe. Website: arideram.com ; @arideram on Instagram.

Reece Dos Santos

Reece Dos Santos

(Mr. Darcy) From New York City by way of Lowell, MA I am thrilled to be in Cleveland, making my CPH debut! TV: The Equalizer (CBS), New Amsterdam (NBC), American Rust (Showtime). Regional: All My Sons (Hartford Stage), Flowers of Hawaii (Chautauqua Theater Co.), A Welcome Guest (CATF), Measure more(Mr. Darcy) From New York City by way of Lowell, MA I am thrilled to be in Cleveland, making my CPH debut! TV: The Equalizer (CBS), New Amsterdam (NBC), American Rust (Showtime). Regional: All My Sons (Hartford Stage), Flowers of Hawaii (Chautauqua Theater Co.), A Welcome Guest (CATF), Measure for Measure (Theater at Monmouth), Sofonisba (Theater at Monmouth), Harry Clarke, Shadow of a Gunman, The Learned Ladies (NYU Grad Acting). MFA: NYU Graduate Acting (Class of 2023). Recipient of the Felicia Montealegre Bernstein Scholarship. Gratitude to the entire team, to the patrons who support live theater and my family in the United States and Brazil. May the past inform how we choose to strive for a brighter future! IG: @reece_dossantos

Marianna Gailus

Marianna Gailus

(Lizzy Bennet) was born and raised in New York City and is thrilled to be making her CPH debut. Credits include Broadway: Patriots. New York: cityscrape (Good Apples Collective), Period Sisters (HERE); Regional: Chautauqua, Voices from a Pandemic (Notch Theatre Company Workshop). MFA, Juilliard Group 51. BA, History, Yale more(Lizzy Bennet) was born and raised in New York City and is thrilled to be making her CPH debut. Credits include Broadway: Patriots. New York: cityscrape (Good Apples Collective), Period Sisters (HERE); Regional: Chautauqua, Voices from a Pandemic (Notch Theatre Company Workshop). MFA, Juilliard Group 51. BA, History, Yale University. Juilliard credits include Halina in Indecent, Masha in Three Sisters, Parolles in All’s Well That Ends Well, and Ren in The Extenders (film). Marianna was the 2022 recipient of Juilliard’s Laura Pels Prize in Acting for outstanding achievement. When not onstage, she works on the South Street Seaport Museum’s historic vessels and volunteers at the American Museum of Natural History as a tour guide and exhibit interpreter.

Byron Johnson

Byron Johnson

(Ensemble, Understudy Mr. Darcy) is a native of New Orleans, Louisiana. He is the son of Trudy Johnson and the late Byron Johnson. He also has a sister named Destiny. Byron is a graduate of Southeastern Louisiana University, where he was a collegiate football player and team captain. He more(Ensemble, Understudy Mr. Darcy) is a native of New Orleans, Louisiana. He is the son of Trudy Johnson and the late Byron Johnson. He also has a sister named Destiny. Byron is a graduate of Southeastern Louisiana University, where he was a collegiate football player and team captain. He enjoys playing sports, being outside, hanging with his family and friends, along with eating good food. Byron also writes poetry in his spare time and hopes to learn the piano and guitar. He made his theatre debut this past year in CWRU/CPH's Middletown. His acting credits include a Guest Star Recurring Role on SHOWTIME’S American Rust, along with roles on NBC’s Young Rock, and Walker on CW.

Shunté Lofton

Shunté Lofton

(Jane Bennet) Shunté is a graduate of the University of Houston School of Theatre and Dance and is thrilled to soon be a graduate of the Case Western Reserve/Cleveland Play House MFA Acting Program! Her previous Cleveland credits include: Countess Von Strak (Amadeus), Prospera (The Tempest), Lucrece (The Liar), more(Jane Bennet) Shunté is a graduate of the University of Houston School of Theatre and Dance and is thrilled to soon be a graduate of the Case Western Reserve/Cleveland Play House MFA Acting Program! Her previous Cleveland credits include: Countess Von Strak (Amadeus), Prospera (The Tempest), Lucrece (The Liar), Death (Everybody), and F (Passage). She also served as the Assistant Director for Mary Shelley’s Frankenstein. She’s had the privilege of growing up all over the world and comes to Cleveland from Houston. She is thankful to God and to her family for their continued support. A lover of the classics, she has performed her way through over half of Shakespeare’s canon. Some of her favorite credits include: Ophelia (Hamlet) and Princess of France (Love’s Labour’s Lost) with the American Shakespeare Center and Constance (King John) with Colorado Shakespeare Festival. She is a proud member of Actors’ Equity Association.

Colleen Longshaw Jackson

Colleen Longshaw Jackson

(Mrs. Bennet / Lady Catherine) is a Cleveland native and holds an MFA from Kent State University. Credits include: Kiss Me, Kate (National Tour), The Groove Factory (New York Musical Theatre Festival), Hairspray (Northshore Music Theatre, Porthouse Theatre), Sister Act (Porthouse Theatre, Karamu House), The Full Monty (Northshore Music more(Mrs. Bennet / Lady Catherine) is a Cleveland native and holds an MFA from Kent State University. Credits include: Kiss Me, Kate (National Tour), The Groove Factory (New York Musical Theatre Festival), Hairspray (Northshore Music Theatre, Porthouse Theatre), Sister Act (Porthouse Theatre, Karamu House), The Full Monty (Northshore Music Theatre),?Fences (Karamu House), The Piano Lesson (Cleveland Play House), Caroline or Change (Tantrum Theatre, Dobama/Karamu, Mercury Theatre), Starmites (Porthouse Theatre), Made in America (Dobama Theatre), A Christmas Carol (Great Lakes Theater), The Color Purple (Karamu House), South Pacific (Porthouse Theatre), Dreamgirls (Cain Park), Once On This Island (Porthouse Theatre), Big River (Porthouse Theatre),?Avenue X (Cain Park), Godspell (Porthouse Theatre), Aida (The Beck Center), The Buddy Holly Story (Carousel Dinner Theater), and Twelfth Night (Ohio Shakespeare Festival).

Brendan Lowry

Brendan Lowry

(Ensemble, U/S Mr. Bingley/Mary Bennet) is in his second year of the Case Western Reserve University/Cleveland Play House MFA Acting program. He is originally from Colorado where he also received his BFA in Musical Theatre from Colorado Mesa University in Grand Junction. You may have seen him in the more(Ensemble, U/S Mr. Bingley/Mary Bennet) is in his second year of the Case Western Reserve University/Cleveland Play House MFA Acting program. He is originally from Colorado where he also received his BFA in Musical Theatre from Colorado Mesa University in Grand Junction. You may have seen him in the CWRU/CPH production of Middletown playing an eclectic range of characters. Previous roles include: Floyd Collins (Floyd Collins), Sky Masterson (Guys and Dolls), Clifford Bradshaw (Cabaret), John the Baptist/Judas (Godspell), and Demetrius (A Midsummer Night's Dream). Brendan dabbles in many hobbies including guitar, photography, and exploring local architecture in whatever city he happens to find himself in. He'd like to thank the village of family, friends, and teachers that have endlessly supported him on his journey so far. bkylowry.com @bkylowry

Christina McSheffrey

Christina McSheffrey

(Ensemble, U/S Lydia Bennet/Miss De Bourgh) has spent the last 7 years in Phoenix, Arizona, where she got her BA in Theatre at Grand Canyon University, and has since worked as an actor, improviser and teaching artist. Some favorite acting credits include: Juliet in Romeo and Juliet and Maria more(Ensemble, U/S Lydia Bennet/Miss De Bourgh) has spent the last 7 years in Phoenix, Arizona, where she got her BA in Theatre at Grand Canyon University, and has since worked as an actor, improviser and teaching artist. Some favorite acting credits include: Juliet in Romeo and Juliet and Maria in Twelfth Night (Flagstaff Shakespeare Festival); Miranda in The Tempest (Southwest Shakespeare Company). She taught theatre at The Phoenix Theatre Company, Childsplay Theatre, and Phoenix Conservatory of Music. Christina also enjoys running, singing, and spending time with her friends and family.

Calder Meis

Calder Meis

(Ensemble, u/s Mr. Wickham, Mr. Collins, Miss Bingl) Calder is excited to be going into his second year in the CWRU/CPH MFA Acting Program. He was last seen as John Dodge in the CWRU/CPH production of Middletown. Other favorite credits include The Last Night of Ballyhoo (Peachy Weil) and more(Ensemble, u/s Mr. Wickham, Mr. Collins, Miss Bingl) Calder is excited to be going into his second year in the CWRU/CPH MFA Acting Program. He was last seen as John Dodge in the CWRU/CPH production of Middletown. Other favorite credits include The Last Night of Ballyhoo (Peachy Weil) and Abigail/1702 (John Brown). BFA, Baylor University - Sic 'Em Bears! He would like to thank his girlfriend, Payton, for being his rock in this life. caldermeis.com ... “Cleveland, this is for you!”- LeBron James.

Meredith Nelson

Meredith Nelson

(Ensemble, U/S Mrs. Bennet/Lady Catherine, Jane Ben) is an actor, director, and educator originally from Denver, Colorado. She received her undergraduate degree from The University of Evansville and is thrilled to be pursuing her master's with CWRU/Cleveland Play House. Some favorite roles she's played include Librarian in Middletown, Prospera more(Ensemble, U/S Mrs. Bennet/Lady Catherine, Jane Ben) is an actor, director, and educator originally from Denver, Colorado. She received her undergraduate degree from The University of Evansville and is thrilled to be pursuing her master's with CWRU/Cleveland Play House. Some favorite roles she's played include Librarian in Middletown, Prospera in The Tempest, and Julie in Miss Julie. She is also the co-founder and co-artistic director of Soft Belly Theatre: a local Cleveland theatre company dedicated to producing accessible, courageous work with an open mind and a soft belly.

Adam Ortega

Adam Ortega

(Ensemble, U/S Mr. Bennet/Charlotte Lucas) was born and raised in Plantation, Florida. He went to The University of Michigan (go blue!) where he earned his BFA in Acting. After graduating, he lived in New York City and performed Off-Broadway in Drunk Shakespeare. Other regional and educational credits include Middletown more(Ensemble, U/S Mr. Bennet/Charlotte Lucas) was born and raised in Plantation, Florida. He went to The University of Michigan (go blue!) where he earned his BFA in Acting. After graduating, he lived in New York City and performed Off-Broadway in Drunk Shakespeare. Other regional and educational credits include Middletown (CWRU/CPH), and Love’s Labour’s Lost (Great River Shakespeare Festival). Instagram: @adamaortega

Christian Pedersen

Christian Pedersen

(Mr. Bingley/Mary Bennet) was last seen at CPH in 2014's Clybourne Park and is thrilled to be returning! Most recently he appeared in Ohio State Murders where he made his Broadway debut. Other credits include Harry Potter and the Cursed Child (Curran Theatre), Once (South Coast Rep), The 39 more(Mr. Bingley/Mary Bennet) was last seen at CPH in 2014's Clybourne Park and is thrilled to be returning! Most recently he appeared in Ohio State Murders where he made his Broadway debut. Other credits include Harry Potter and the Cursed Child (Curran Theatre), Once (South Coast Rep), The 39 Steps (Maltz Jupiter Theatre), The Mousetrap (Repertory Theatre of St. Louis), Cloud Nine (Studio Theatre DC) and Cabaret (La Mirada). TV credits include The Offer, This Is Us, Seal Team, One Life to Live, Superstore and The Good Wife. Christian is a graduate of the University of Richmond and the NY Conservatory for Dramatic Arts.

Alfredo Ruiz

Alfredo Ruiz

(Mr. Collins/Mr. Wickham/Miss. Bingley) Alfredo is a Cuban-American actor, musician, and graduate of the CWRU/CPH MFA Acting Program class of 2024. He recently made his Cleveland Play House debut as Max in The Play That Goes Wrong directed by Melissa Rain Anderson. While pursuing his MFA, Alfredo has returned more(Mr. Collins/Mr. Wickham/Miss. Bingley) Alfredo is a Cuban-American actor, musician, and graduate of the CWRU/CPH MFA Acting Program class of 2024. He recently made his Cleveland Play House debut as Max in The Play That Goes Wrong directed by Melissa Rain Anderson. While pursuing his MFA, Alfredo has returned to his hometown of Miami, FL several times to work on a variety of award winning short films that he's both produced and starred in. Alfredo is freshly based in NYC and eager to launch his career in film and television. Select regional credits include: The Play That Goes Wrong (Cleveland Playhouse House, dir. Melissa Rain Anderson), Mary Shelley’s Frankenstein (Cleveland Play House, dir. Michael Barakiva), Amadeus (Cleveland Play House, dir. Laura Gordon), 7 Deadly Sins (Miami New Drama, dir. Moises Kaufman/Michel Hausmann), Grace (Playwright Development Program, dir. Victoria Collado), Wynwood Stories (Juggerknot Theatre Co., dir. Tai Thompson). alfredojruiz.com

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