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The Allen, Outcalt, and Helen
Theatres are all located at
1407 Euclid Avenue, Cleveland, OH 44115
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Familia. Amor. Tradición. These values are at the heart of mariachi music and the community where Lucha cares for her mother battling dementia. So when an old mariachi recording reawakens her mother’s memory, Lucha vows to learn and perform the song live. Join Lucha as she recruits band members, tracks down instruments, and stands up to long-held traditions to make her dream a reality. Set in the 1970s and performed with live music and plenty of humor, American Mariachi is a joyous, heartwarming story of family, memory, and the power of song.
* Is there a piece of music or song that conjures up memories for you? What’s the song, and what does it remind you of?
* Have you ever done something to help your family that ended up putting you in direct conflict with other family members?
* What’s a dream of yours that you’ve never pursued? What’s keeping you from it?
A LIFETIME OF MUSIC
by Anne Reed, The Music Settlement
The music plays. The song starts flowing through your mind. You hear the rhythm and melody and sense the tempo. You become mindful of the instrumentation, the lyrics, and reflect on the message. Your emotions and memory are engaged and your body starts to synchronize with the beat. You become immersed in the sensation. You laugh, you cry, you relax, you get angry; your relationship with music brings both pleasure and pain. You are moved to share a thought, a feeling, a memory. A conversation is sparked and a connection is made. The power of music! A power that touches the lives of all people, all ages, that is shared yet also unique and personal. This holds true for adults diagnosed with dementia and specifically Alzheimer’s disease. At The Music Settlement, we honor the power of healing with music.
Studies in music therapy with older adults with dementia show that the prescribed use of music helps decrease depression and improve mood, decrease anxiety and agitation, and decrease use of medication. It can also increase alertness and orientation, enhance cognition and memory, improve communication and meaningful socialization, improve sleep and appetite, and reduce caregiver stress.* Studies have also shown increased connectivity in specific areas of the brain related to cognitive and motor functions.
Music therapists, when working with individuals with memory loss, are mindful of exactly which music is most constructive. It is recommended to use music that is preferred and is not associated with any traumatic event(s). Music therapy evaluation ensures the listener is able to adequately communicate their needs and preferences. Music Therapists also provide careful monitoring of non-verbal responses to music interventions, and ensure a manageable volume, while decreasing any unnecessary noise or visual stimulation. A professional music therapist holds a bachelor's degree or higher in music therapy from one of over 80 American Music Therapy Association (AMTA) approved college and university programs. According to the AMTA, “Music Therapy is an established health profession in which music is used within a therapeutic relationship to address physical, emotional, cognitive, and social needs of individuals.” For caregivers and/or children of individuals diagnosed with dementia, considering events associated with the music, listening to songs together can open doors to increased interaction and reminiscing.
For more information about music therapy in the Greater Cleveland Area, please contact Anne Reed, Clinical Supervisor, areed@themusicsettlement.org in the Center for Music Therapy at The Music Settlement.
*AMTA Fact Sheet on Music & Dementia Care
Interested in finding out more about The Day of the Dead, referenced in American Mariachi? Well, you're in luck because Cleveland hosts one of the biggest Dia de Muertos celebrations in the country - and it's coming up soon! Grab your friends and family members on October 29th and head on over to Gordon Square to check things out! More details at Dia de Muertos Ohio!
Making A Piñata
by Erica Carla Joziuk
Things you will need:
Flour
Water
Salt
Cooking pot
Stirring utensils
Balloon (balloon size depends on how big you want your piñata)
Newspaper
Paintbrush 1 ½ inches
Scissors
Tissue paper/crepe paper
A bowl that is a little smaller than the circumference of your balloon. This bowl will be the stand that holds the balloon as you start to make your piñata.
Patience
Imagination
Let’s begin:
Start the Piñata process by making the glue. This glue holds the paper together and is the most important ingredient.
Pour 4 cups of water into the pot and let it boil, then add 1 cup of flour. You can add a tablespoon of salt, as this will prevent mold. Stir it occasionally after 3-4 minutes. The flour should thicken. Make sure it isn’t lumpy. Let it cool down.
While letting the glue cool down, you can begin the next process by blowing up the balloon and cutting the newspaper into strips. The bigger the strips, the faster it will be. Make sure to have your bowl, for this is your stand and will hold your balloon in place.
Now that your newspaper is cut into strips and the glue has cooled down, its time to start the fun part! It can get messy, so make sure your work area is clear and you aren’t wearing your Sunday best =)
Blow up your balloon and tie it. Put the balloon with the tail (knot) into your bowl. Take a strip of paper, dip your paintbrush into the glue, and cover the entire strip, then place the covered strip on the top of the balloon horizontally. Make sure to go over the strip with your fingers to smooth it, so the paper is flat on the balloon and not completely drenched in glue. Repeat the process with the strip right next to the first strip until the entire top of the balloon is covered and looks like a helmet on a head. Flip the piñata, repeat the process, and put another layer on top of it or triple-layer it if you want it to be sturdy. Do not cover up the tail(knot).
Now let it dry completely for 48 hours. If you want the piñata to be hard to break, let the piñata dry for 24 hours and add some more layers, but make sure it is somewhat dry before adding more layers so the balloon does not pop. Then, let it completely dry for 48 hours.
While it is drying, make sure to prepare your tissue paper so you can begin decorating it once it is completely dry. Now that the piñata is dry, you can pop the balloon and remove it. This hole is where you will put the candy and how you will hang it. You can hang the piñata by inserting two holes on each side of the piñata, right by where you insert the candy. Next, add a string and make a handle. I found it easier to make the handle before decorating it.
You can then decorate your piñata with tissue paper and the same “glue” you made to cover your piñata. This glue sticks to the paper faster and is less time-consuming than Elmer’s glue, although that is optional. You can use a smaller paintbrush on the tissue paper. Remember, this is your piñata, and there is no wrong way you decorate it (however, I gave three examples of the BEST way to decorate it and make it look awesome). Have fun and be proud of what you have made because not everyone has the patience for this crafty work! Now add your candy =)
(Soyla) is thrilled to make her Cleveland Play House debut! Regional credits include: Somewhere Over the Border (Syracuse Stage and Geva Theatre Center); American Mariachi (Goodman Theatre and Alabama Shakespeare Festival); Real Women Have Curves, White Rabbit, Red Rabbit (Dallas Theater Center); Scrooge in Rouge (Stage West); Dracula (Theatre more
(Amalia) is excited to make her Cleveland Play House debut and reprise the role she previously performed at Goodman Theatre, Dallas Theater Center, and Alabama Shakespeare Festival. Gigi recently appeared as Mrs. Webb in Dallas Theater Center’s Our Town; other theatre credits include A Christmas Carol, The View Upstairs, more
(Understudy) is making his Cleveland Play House debut. Other roles include: Chicago: It’s a Wonderful Life: A Radio Play (Oil Lamp Theater); Richard III (Eclectic Full Contact Theatre); As You Like It (CenterStage Lake Forest). California: Sherlock Holmes and the Adventure of The Great Nome Gold Rush, King O' more
(Boli) is so happy to be bringing this show to Cleveland Play House after appearing in the role at the Goodman Theatre, Dallas Theater Center, and Alabama Shakespeare Festival. Other regional credits include Aldonza in Man of La Mancha at Fulton Theater, Nancy in Oliver! and Ariel in Footloose more
(Federico) is pleased to make his debut at Cleveland Play House. He was most recently seen in American Mariachi at Goodman Theatre and Alabama Shakespeare Festival and Mother of the Maid at Northlight Theatre. Other recent credits include Ah, Wilderness! and Destiny of Desire (Goodman), In The Heights (The more
(Isabel) (she/her) is a graduate of the Actors Gymnasium Professional Circus Training Program and is represented by Gray Talent Group. She also has a BA in Spanish from Loyola University Chicago. Recent credits include Alice Through the Lookingglass (Lookingglass Theatre), American Mariachi (Goodman Theatre, Dallas Theater Center), Into the more
(Tía Carmen) is a multi-instrumentalist and educator who graduated from the University of Illinois at Chicago (UIC) with a degree in violin performance. During her time there she formed Illinois’ first collegiate Mariachi, UIC Mariachi Fuego (2014), later co-founding Chicago’s first all-women Mariachi, Mariachi Sirenas (2017). Izguerra has performed more
(Gabby) is excited to bring this vibrant show to life at Cleveland Play House! Some of her regional credits include: Somewhere Over the Border (Teatro Vista); American Mariachi (Goodman Theatre, Alabama Shakespeare Festival); American Bottom, 33 to Nothing (A Red Orchid Theatre); Mary Shelley's Frankenstein (The McCarter Theatre in more
(Understudy) is an NYC-based actor, singer, and entrepreneur. Regional credits include: American Mariachi (Goodman Theatre, Alabama Shakespeare Festival); Evita (Lyric Stage Dallas); Man of La Mancha (Lyric Stage Dallas); A Chorus Line (Riverside Center for the Performing Arts); West Side Story and More (Newport Music Festival); In the Heights more
(Mino) is excited to be making his Cleveland Play House debut and sharing the stage with such a talented group of artists! Stage credits include: Syracuse Stage, Geva Theater, Goodman Theater, Dallas Theater Center, Denver Center, Old Globe, Humana Fest, San Diego Rep (Craig Noel Award), South Coast Rep, more
(Mateo) is a resident acting company member at the Dallas Theater Center and a director in the Dallas-Fort Worth metroplex. Stage credits include: American Mariachi (Goodman Theatre, Alabama Shakespeare Festival), In The Heights, SWEAT, Twelfth Night, As You Like It, HAIR, HOOD (Dallas Theatre Center) and Stede Bonnet: A more
(Lucha) is thrilled to make her Cleveland Play House debut. Regional credits include American Mariachi (Goodman Theatre, Alabama Shakespeare Festival); Beauty and the Beast (Paramount Theatre); Ragtime (Park Playhouse); and Into the Woods and How to Succeed in Business Without Really Trying (Rose Center Theatre). She is a graduate more
(Guitarrón) (he/him) is an interdisciplinary multi-genre artist. He plays eight instruments including the guitar, keyboard, and guitarrón. He makes all sorts of music like mariachi, rock, rap, and EDM. He's performed on Nickelodeon, won Chicago's Rising Star Award, and most recently played at Lollapalooza. He also loves to work more
(Vihuela) is a Mariachi, Rock, and Pop musician born, raised, and based out of Tucson, Arizona. Originally starting out as a pianist, he took to Mariachi music playing guitar, vihuela, and guitarron. He also performs frequently in Spanish rock bands as an electric guitarist, bassist, keyboard player, and vocalist. more
(Violin) (she/they) is a transfemme Latinx mariachi musician, drag artist, and online media producer based in Los Angeles, California. Through her work, Yaya strives to create authentic representation for queer, brown, gender non-conforming Latinx people in online media and in real life. She is ecstatic and humbled to be more
(Trumpet) most recently worked as the primary trumpet player and singer for Tucson's own MARIACHI SONIDO DE MEXICO. Over the years he has also worked with several Mariachis including: Mariachi Tapatio, Mariachi Sol Azteca, Mariachi Herencia De Cucuo Del Cid. He plays trumpet and sings for Ballet Folklorico Tapatio more
(Playwright) Mr. González’s plays include If by Chance, (South Coast Repertory commission), The Extraordinary ZLuna Captures the World (Denver Center Theatre Company commission), Under a Baseball Sky (The Old Globe commission), American Mariachi (Arizona Theatre Company, Denver Center Theatre Company, South Coast Repertory, The Goodman Theatre, The Old Globe), more
(Director) is the Resident Artistic Associate at Goodman Theatre, where he most recently directed Fannie: The Music and Life of Fannie Lou Hamer, by Cheryl West for Goodman, Seattle Rep, Oregon Shakespeare Festival, The ASOLO, and Arena Stage. Godinez has also directed the works of Luis Valdez, Charise Castro more
(Scenic Designer) is glad to be back at Cleveland Play House after designing at theatres throughout the country and abroad. Her work has been seen in Chicago at Goodman Theatre, Steppenwolf, Court Theatre, Paramount, and regionally at Arena Stage, Alley Theatre, Indiana Rep, Repertory Theatre of St. Louis, Kansas more
(Costume Designer) (she/her) is honored to be making her Cleveland Play House debut. Regional costume designs include Clean/Espejos (South Coast Rep), Beauty and the Beast (5th Avenue Theatre), Public Works The Winter's Tale (Seattle Rep), American Mariachi (Alabama Shakespeare Festival, Dallas Theater Center, Goodman Theatre), and Real Women Have more
(Sound Designer) Off Broadway credits include Lookingglass Alice at The New Victory Theatre. Regional theatre credits include Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre, Long Wharf Theatre, Milwaukee Rep Theatre, The Court Theatre, Hartford Stage, The Alliance Theatre, Syracuse Stage, Actors Theatre of Louisville, Congo Square, Buffalo Arena Stage, more
(Wig and Hair Designer) returns to Cleveland Play House after his terrific work on last season’s The Three Musketeers. Jason is a 2016 and 2017 Drama Desk Award Nominee for Outstanding Wig & Hair Design for his work on The Legend of Georgia McBride and The View Upstairs. Hayes more
(Music Director) began as a classical violinist but has played with Mariachis, ranging from bar bands to the Grammy Award-winning Mariachi Divas, but is best known as the leader of Mariachi Reyna de Los Angeles, the first all-female Mariachi of international import. She continues performing with the female group more
(Stage Manager) After growing up in Montgomery attending countless Alabama Shakespeare Festival Schoolfest shows, Ana was thrilled to finally stage manage American Mariachi there, and then travel with the show to Cleveland. Most recently, Ana was a Seasonal SM at TheatreSquared in Arkansas, working on shows including Matilda, American more
(Assistant Stage Manager) is excited to travel with the American Mariachi team to Cleveland from Alabama. She is a recent graduate of the University of Montevallo with a BS in Theatre, and some of her favorite shows there includes Stop Kiss, Priscilla, Queen of the Desert, and Chicago. She more
Our friend Robert Mark Morgan, Scenic Designer (Into the Breeches!, Diary of Anne Frank, The Whipping Man) created a fun video showing all of the uniq...
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The Allen, Helen and Outcalt theatres are located at Playhouse Square
1407 Euclid Avenue Cleveland, OH 44115
Administrative Offices and Education Center
1901 E. 13th Street, Suite 200 Cleveland, OH 44114 (216) 400-7000
Production Center
7401 Detour Avenue, Cleveland, OH 44103