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March 23 - April 2, 2022 , The Helen

CWRU/CPH MFA Acting Program

Passage

written by Christopher Chen
directed by Donald Carrier

Run time: 2 hours, including intermission
Advisory: Gun prop used on stage; sounds of gun firing

Country X is dominated by Country Y. A friendship between two people is challenged in this climate of fear and distrust leading to an explosive accusation. A fantasia inspired by E.M. Forster’s A Passage to India, writer Christopher Chen creates a suspenseful story about the challenges of true connection. Passage marks the Cleveland debut of the Class of 2024!

Photos & Videos Download Hi Res Photos

The CWRU/CPH MFA Acting Class of 2024 and Donald Carrier, director of PASSAGE, and Director of MFA Acting Program. Photo by Nathan Henry.

Madeline Calais as Q and Shunte Lofton as F in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Ellen Grace Diehl as Mosquito in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

AJ Ruiz as R and Madeline Calais as Q in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Josh Bates as H in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

AJ Ruiz as R and Madeline Calais as Q in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Gavin Michaels as B in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Ellen Grace Diehl as J and Victoria Alev Duffy as G in the CWRU/CPH's production of PASSAGE. Photo by Nathan Henry.

Gavin Michaels as B and Shunté Lofton as F in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Shunté Lofton as F in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Madeline Calais as Q in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Dylan Ireland as M in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Shunté Lofton, Dylan Ireland, an Gavin Michaels in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Ellen Grace Diehl as Gecko in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Victoria Alev Duffy as G (foreground) and Gavin Michaels as B in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Dylan Ireland as M and Josh Bates as H in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Gavin Michaels, Shunté Lofton, and Madeline Calais in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

Victoria Alev Duffy as G in the CWRU/CPH's production of PASSAGE. Photo by Nathan Henry.

AJ Ruiz as R and Ellen Grace Diehl as J in the CWRU/CPH production of PASSAGE. Photo by Nathan Henry.

The CWRU/CPH MFA Acting Class of 2024 in Christopher Chen's PASSAGE. Photo by Nathan Henry.

The cast of Christopher Chen's PASSAGE. Photo by Nathan Henry.

Artists

Josh Bates

Josh Bates

(H) is a Southern California native who received his BFA in Acting from Baylor University in Waco, Texas. Sic ‘Em Bears. He has performed in venues all over the country and was most recently seen in Cleveland Play House's Mary Shelley's Frankenstein, CWRU/CPH's The Tempest, and as a musician more(H) is a Southern California native who received his BFA in Acting from Baylor University in Waco, Texas. Sic ‘Em Bears. He has performed in venues all over the country and was most recently seen in Cleveland Play House's Mary Shelley's Frankenstein, CWRU/CPH's The Tempest, and as a musician in the Nashville bar/restaurant scene. Other credits include The Liar, Everybody, Passage, Legally Blonde, and The Little Mermaid. He is also the recipient of the Best Actor Award at the Black Glasses Film Festival for his performance in Disaster Survivor. He’d like to thank his family and friends for putting up with this ridiculous life of his. All glory to God! Instagram: @joshbaetes

Madeline Calais-King

Madeline Calais-King

(Q) received her Bachelor of Fine Arts degree (summa cum laude) in Acting from the University of Houston's School of Theatre & Dance. Madeline had the immense pleasure of appearing in two world premieres this past summer which include 10CHILDREN’s Watching Butterflies (written by Eric Schmiedl) and Notre Dame more(Q) received her Bachelor of Fine Arts degree (summa cum laude) in Acting from the University of Houston's School of Theatre & Dance. Madeline had the immense pleasure of appearing in two world premieres this past summer which include 10CHILDREN’s Watching Butterflies (written by Eric Schmiedl) and Notre Dame Shakespeare Festival’s Hamlet 50/50 (adapted by Vanessa Morosco & Peter Simon Hilton). Other notable companies Madeline has worked with include the American Shakespeare Center, the Illinois Shakespeare Festival and Red Bull Theater in New York City

Ellen Grace Diehl

Ellen Grace Diehl

(S/D/J/Mosquito/Gecko) is a proud member of the MFA Acting class of 2024 and is delighted to be a part of this production. Previous CPH credits include: Claire Clairmont, Mary Shelley's Frankenstein; Ariel, The Tempest; Cliton, The Liar. Other credits include Oklahoma! (Ado Annie) and Carousel (Louise) at the Round more(S/D/J/Mosquito/Gecko) is a proud member of the MFA Acting class of 2024 and is delighted to be a part of this production. Previous CPH credits include: Claire Clairmont, Mary Shelley's Frankenstein; Ariel, The Tempest; Cliton, The Liar. Other credits include Oklahoma! (Ado Annie) and Carousel (Louise) at the Round Barn Theatre and A Gentleman's Guide... (Sibella), Mamma Mia! (Sophie), Gypsy (Louise), and The Little Mermaid (Ariel) at the Allenberry Playhouse. Ellen has over a decade of experience teaching and choreographing and over 20 years of dance training. She is passionate about inspiring and teaching the next generation of artists with compassion and excellence. For Bill and Peg Etter, always. IG: @ellengracediehl www.ellengracediehl.com

Victoria Alev Duffy

Victoria Alev Duffy

(G) (she/her) is elated to be a part of The Play That Goes Wrong at the Cleveland Play House. Past CPH credits: The Tempest, Mary Shelley's Frankenstein, Watching Butterflies, The Liar, Everybody and Passage. Fordham Theatre credits include The Most Massive Woman Wins, Machinal, DIMES: A New Musical, more(G) (she/her) is elated to be a part of The Play That Goes Wrong at the Cleveland Play House. Past CPH credits: The Tempest, Mary Shelley's Frankenstein, Watching Butterflies, The Liar, Everybody and Passage. Fordham Theatre credits include The Most Massive Woman Wins, Machinal, DIMES: A New Musical, and more. Victoria has a passion for exploring theatre through a non-American lens, and has spent her past summers intensively studying devising techniques and experimental theatre in Berlin and Shakespeare in London. She is forever thankful for her time in Cleveland and looks forward to returning to New York this coming May. Thank you to everyone involved with The Play That Goes Wrong. @vickduff www.victoriaalevduffy.com

Dylan Ireland

Dylan Ireland

(M) is entering his third and final year of his MFA Acting program for the CWRU/CPH Program. Ireland recently made his CPH debut as Lord Byron and The Creature in Mary Shelley’s Frankenstein. Coming from North Carolina, Ireland received a BA in theater performance from the University of North more(M) is entering his third and final year of his MFA Acting program for the CWRU/CPH Program. Ireland recently made his CPH debut as Lord Byron and The Creature in Mary Shelley’s Frankenstein. Coming from North Carolina, Ireland received a BA in theater performance from the University of North Carolina at Charlotte. Previous roles include: Cory (Fences), Caesar (Julius Caesar), Tinman (The Wiz), Cousin (Everybody), Guy Jacobs (Blues for an Alabama Sky), Truffaldino (The Servant of Two Masters), M (Passage), Toby Belch (Twelfth Night), and Geronte (The Liar). This year, Ireland was nominated for “Best Performer in a Play” for his work in CWRU’s The Tempest where he played Stephano, and Sebastian. Upon graduation in the spring, Ireland has plans to move to New York City to pursue a professional career in stage acting. Ireland gives glory to God, and his family for their eternal support. Instagram: dylan.ireland_

Shunté Lofton

Shunté Lofton

(F) is a graduate of the University of Houston School of Theatre and Dance and is thrilled to be on this next journey. Her previous Cleveland credits include: F (Passage), Death (Everybody), Lucrece (The Liar), and Prospera (The Tempest). She’s had the privilege of growing up all over the more(F) is a graduate of the University of Houston School of Theatre and Dance and is thrilled to be on this next journey. Her previous Cleveland credits include: F (Passage), Death (Everybody), Lucrece (The Liar), and Prospera (The Tempest). She’s had the privilege of growing up all over the world and comes to Cleveland from Houston. She is thankful to God and to her family for their continued support. A lover of the classics, she has performed her way through over half of Shakespeare’s canon. Some of her favorite credits include: Ophelia (Hamlet) and Princess of France (Love’s Labour’s Lost) with the American Shakespeare Center and Constance (King John) with Colorado Shakespeare Festival. She is a proud member of Actors’ Equity Association.

Gavin Michaels

Gavin Michaels

(B) is from wonderfully rainy Seattle, Washington. His stage credits include Romeo in Romeo and Juliet, Orlando in As You Like It (BPA), Ferdinand in The Tempest, Hamlet in Hamlet (Kentwood Players), Dorante in The Liar and Caliban in The Tempest (CWRU). He has also worked with John more(B) is from wonderfully rainy Seattle, Washington. His stage credits include Romeo in Romeo and Juliet, Orlando in As You Like It (BPA), Ferdinand in The Tempest, Hamlet in Hamlet (Kentwood Players), Dorante in The Liar and Caliban in The Tempest (CWRU). He has also worked with John Leguizamo at the Guthrie Theatre to workshop his new play, Our Hood, as well as play Borrachio in a workshop of Tanta Bulla, y pa que? a bilingual adaptation of Much Ado About Nothing. Most recently he appeared as Victor Frankenstein / Percy Shelley in Mary Shelley's Frankenstein (Cleveland Playhouse). His film credits include the school-shooter Derek in the short film Diabolos, Carl in the sci-fi drama The House (Tubi), and Danny in the quirky comedy Danny Doom (Amazon Prime). He earned his undergraduate degree in Political Communication and Rhetoric from the University of Washington. When he’s not on stage you can listen to him playing his signature flavor of pop-punk/emo at local music venues or on your favorite music streaming platform. @_gavinmichaels / gavinmichaels.com

Alfredo Ruiz

Alfredo Ruiz

(R) is currently a third year graduate actor at the CWRU/CPH MFA Acting Program. You may have seen his pants rip in one of his three performances as understudy for Victor Frankenstein in CPH’s Mary Shelley’s Frankenstein directed by Michael Barakiva. While pursuing his MFA, Alfredo has returned to more(R) is currently a third year graduate actor at the CWRU/CPH MFA Acting Program. You may have seen his pants rip in one of his three performances as understudy for Victor Frankenstein in CPH’s Mary Shelley’s Frankenstein directed by Michael Barakiva. While pursuing his MFA, Alfredo has returned to Miami several times to work on a variety of award winning indie films. Upon graduation Alfredo will be based in NYC but his heart, and hopefully several equity contracts, will always be in Miami. You’ll be able to catch Alfredo again in CPH’s Amadeus later this season! Regional credits include: Mary Shelley’s Frankenstein (Cleveland Play House), Watching Butterflies (Cleveland Play House), 7 Deadly Sins (Miami New Drama), Wynwood Stories (Juggerknot Theatre Co.). alfredojruiz.com

Christopher Chen

(Playwright) is an international award-winning playwright whose works have been produced across the United States and abroad. His play Caught was a New York Times critics’ pick, and enjoyed a sold-out run at The Play Company. Honors include the 2017 Lanford Wilson Award (co-winner); the 2015-2016 Sundance Institute/Time Warner more(Playwright) is an international award-winning playwright whose works have been produced across the United States and abroad. His play Caught was a New York Times critics’ pick, and enjoyed a sold-out run at The Play Company. Honors include the 2017 Lanford Wilson Award (co-winner); the 2015-2016 Sundance Institute/Time Warner Foundation Fellowship for theater; the Paula Vogel Playwriting Award, through which he was 2013-2014 playwright-in-residence at Vineyard Theatre; the Barrymore Award for Outstanding New Play; Phindie Critics’ Award; the Glickman Award; the Rella Lossy Playwriting Award; shortlist for the James Tait Black Award; nomination for the Steinberg Award; second place in the Belarus Free Theatre International Competition of Modern Dramaturgy; a MAP Fund Grant; a Ford Foundation Emerging Writer of Color Grant; and finalist for the PoNY and Jerome Fellowships. His works have been produced and developed at companies such as American Conservatory Theater, Arcola Theatre, Bay Area Playwrights Festival, Beijing Fringe, Berkeley Repertory Theatre/Ground Floor, Crowded Fire, Cutting Ball, Edinburgh Fringe, hotINK Festival, Impact Theatre, InterAct Theatre, Lark Play Development Center, Magic Theatre, Playwrights Foundation, San Francisco Playhouse, Seattle Public Theater, Shotgun Players, Sideshow Theatre, Silk Road Rising, Sundance Theatre Lab, Mu Performing Arts, U.C. Berkeley/ Zellerbach Playhouse, and the Vineyard. Publications include Dramatists Play Service, American Theatre Magazine, Theatre Bay Area, and Theater Magazine (Yale). A San Francisco native, Chris is a graduate of U.C. Berkeley and holds an M.F.A. in Playwriting from S.F. State.

Donald Carrier

Donald Carrier

(Director) most recently directed The Liar for the MFA Program, Othello at Texas Shakespeare Festival, Ellis Island: The Dream of America for The Cleveland Orchestra and Doubt for the Beck Center. For the CWRU/CPH MFA Acting Program, he has also directed Passage, Fifth of July, Clybourne Park, The Misanthrope, more(Director) most recently directed The Liar for the MFA Program, Othello at Texas Shakespeare Festival, Ellis Island: The Dream of America for The Cleveland Orchestra and Doubt for the Beck Center. For the CWRU/CPH MFA Acting Program, he has also directed Passage, Fifth of July, Clybourne Park, The Misanthrope, Too True to Be Good, and The Violins of Hope. Other directing includes Who’s Afraid of Virginia Woolf?, Seminar, and Really Really (Beck Center for the Arts); and Becky Shaw (Dobama Theatre). Other selected directing credits include The Crucible, The Two Gentlemen of Verona, Twelfth Night, As You Like It, Habeas Corpus, The Pirates of Penzance, and Oh! What a Lovely War. He has appeared at Cleveland Play House in Shakespeare in Love; All the Way; Luna Gale; The Crucible; The Little Foxes; Yentl; In the Next Room, or the vibrator play; Ten Chimneys; Noises Off; and Lincolnesque. Regional credits include The National Arts Center, Notre Dame Shakespeare Festival, Great Lakes Theater, The Studio Theatre, The Shakespeare Theatre, The Wilma Theater, The Huntington Theatre, The Intiman Theatre, and Chicago Shakespeare Theater. He spent nine seasons at the Stratford Festival, three seasons at the Old Globe, and two seasons at the Shaw Festival. Television/Film: Guns, The Time Traveler’s Wife, The Passion of Ayn Rand, and Dead by Monday. Don is a proud Lunt/Fontanne Fellow and is the Director of CWRU/CPH MFA Acting Program.

Cameron Caley Michalak

(Scenic Designer) is thrilled to be back with CWRU MFA Program! Regional Theatrical design credits include: Cleveland Play House productions of These Mortal Hosts, Venus in Fur, Every Good Boy Deserves Favour and A Soldier’s Tale with Catch and Release. CWRU/CPH MFA Acting Program’s design credits include Passage, She more(Scenic Designer) is thrilled to be back with CWRU MFA Program! Regional Theatrical design credits include: Cleveland Play House productions of These Mortal Hosts, Venus in Fur, Every Good Boy Deserves Favour and A Soldier’s Tale with Catch and Release. CWRU/CPH MFA Acting Program’s design credits include Passage, She Stoops to Conquer, A Philadelphia Story, The Three Sisters, The Misanthrope and The Winter's Tale. Cleveland Ballet’s The Nutcracker Suite, Alice, Provocativo. Selected local credits include When Farah Cries (Borderlight International Theatre Festival); Dance Nation, John, Appropriate, The Effect, The Night Alive, Becky Shaw (Dobama); Les Misérables, Mary Poppins, The Wiz, Assassins, (Near West Theatre); Meteor Shower, Really Really, and Seminar (Beck Center); and Aida, Sweeney Todd and Hairspray, among many others (M.A.D. Factory). Cameron recently completed his MFA from Goddard College, and acts as Technical Director and Instructor for Cleveland State University’s Department of Theatre and Dance

Esther M. Haberlen

(Costume Designer) has credits with the CWRU/CPH MFA Acting Program that include The Misanthrope, Too True to Be Good, The Two Gentlemen of Verona and last season's Passage. Her scores of theater and opera design credits range with companies as diverse as Great Lakes Theater, Idaho Shakespeare Festival, Lake more(Costume Designer) has credits with the CWRU/CPH MFA Acting Program that include The Misanthrope, Too True to Be Good, The Two Gentlemen of Verona and last season's Passage. Her scores of theater and opera design credits range with companies as diverse as Great Lakes Theater, Idaho Shakespeare Festival, Lake Tahoe Shakespeare Festival, Dobama Theatre, Cleveland Opera Theater, Cleveland Institute of Music, Chagrin Valley Performing Arts Academy, Willoughby Fine Arts Association, Cleveland Public Theatre, and the Baldwin Wallace University Conservatory of Music. Esther holds a BFA in theater production and design from the State University of New York (Fredonia), and also worked as a costume technician at Pittsburgh Civic Light Opera, Pittsburgh Public Theater, and The Chautauqua Conservatory. Esther is costume shop director for GLT and its sister theatres, Idaho Shakespeare Festival and Lake Tahoe Shakespeare Festival. A native of Syracuse, New York, she has proudly called Cleveland home since 2003.

Jaemin Park

(Lighting Designer) has been working as a lighting designer in South Korea for about 15 years. He has designed more than 100 productions in various genres such as plays, musicals, operas, and dances. While he was in South Korea, he worked as a full-time lighting supervisor and resident designer more(Lighting Designer) has been working as a lighting designer in South Korea for about 15 years. He has designed more than 100 productions in various genres such as plays, musicals, operas, and dances. While he was in South Korea, he worked as a full-time lighting supervisor and resident designer in a national theatre with about 1,200 seats in Daegu, South Korea. His unique background in studying vocal music during his undergraduate courses has given him a keen ear for analyzing and expressing music. He has been directing in opera and loves musical works. Based on his experience in South Korea, he is in his last semester MFA in lighting design at Kent State University. In June 2022, he will be designing the musical Little Shop of Horrors at Porthouse Theatre. He has enjoyed working with the Passage creative team.

Richard Ingraham

(Sound Designer) Richard is a freelance sound designer, educator and audiovisual systems consultant having worked at numerous theatres, schools and attractions in the Cleveland area and throughout the US including: Ashland University, Beck Center for the Arts, Baldwin–Wallace University, Cain Park, Carnegie-Mellon University, Chagrin Falls Performing Arts Academy, The more(Sound Designer) Richard is a freelance sound designer, educator and audiovisual systems consultant having worked at numerous theatres, schools and attractions in the Cleveland area and throughout the US including: Ashland University, Beck Center for the Arts, Baldwin–Wallace University, Cain Park, Carnegie-Mellon University, Chagrin Falls Performing Arts Academy, The Cleveland Play House, The Cleveland Public Theatre, Cleveland State University, Dobama Theatre, The University of Evansville, Great Lakes Theater, Hope Summer Repertory Theatre, Idaho Shakespeare Festival, The Jewish Community Center of Cleveland, Oberlin College, Playhouse Square Center, and Royal Caribbean Cruise Lines. He has also worked as a consultant to award winning software companies that create products for live event production including Stage Research and Richmond Sound Design.

Kenya Woods

(Choreographer) a native of Cleveland, Ohio holds more than 30 years of experience in dance performance, choreography, teaching, and leadership. She holds a degree in Dance from Tennessee State University and is certified in Lester Horton Pedagogy, the official technique taught at the Alvin Ailey American Dance Center. Her more(Choreographer) a native of Cleveland, Ohio holds more than 30 years of experience in dance performance, choreography, teaching, and leadership. She holds a degree in Dance from Tennessee State University and is certified in Lester Horton Pedagogy, the official technique taught at the Alvin Ailey American Dance Center. Her additional dance credits include Dance New Amsterdam and North Coast Ballet Theater. Madame Darvash, Dr. Diane McIntyre and Lynn Simonson have influenced her teaching style as well. She has worked nationally and internationally at regional dance companies, universities and school systems as an educator, performer, and choreographer. She continues to teach dance to students of all ages and lead programs that help cultivate technique, artistry, body awareness and empowerment and appreciation for dance. Ms. Woods is the recipient of the Hildegarde and Elbert Baker Visiting Scholar in the Humanities at CWRU where she is also currently serving as faculty teaching dance in the MFA Theater of Arts Program

Beth McGee

(Vocal Coach) is a member of Actor’s Equity and a voice, speech, and dialect coach. She is one of the co-founders of Cleveland’s immersive theater company Shadow of the Run LLC, and was the playwright for their first immersive piece, Wanderlust. She was the on-set dialect more(Vocal Coach) is a member of Actor’s Equity and a voice, speech, and dialect coach. She is one of the co-founders of Cleveland’s immersive theater company Shadow of the Run LLC, and was the playwright for their first immersive piece, Wanderlust. She was the on-set dialect coach for Cinemax’s 2016 television series Quarry, directed by Greg Yaitanes. She has acted as dialect coach for many Cleveland area theaters and dialect coached the 2002 film Welcome to Collinwood starring George Clooney, and directed by the Russo Brothers. She has coached and/or acted in productions at numerous Cleveland area theaters. She is a Professor of Voice and Acting at CWRU. Devotees of folk music can find her 1980 Folkways album Love is Teasing housed in the archives of the Smithsonian Institution. McGee is an active member of Actors’ Equity Association.

Catherine L. Albers

(Acting Coach) is a professional actress and Professor Emeritus at Case Western Reserve University, where she was a master teacher in the CWRU/CPH MFA Acting Program. She has performed throughout the country and does film and commercial work. She is a founding member of Great Lakes Michael Chekhov Consortium, more(Acting Coach) is a professional actress and Professor Emeritus at Case Western Reserve University, where she was a master teacher in the CWRU/CPH MFA Acting Program. She has performed throughout the country and does film and commercial work. She is a founding member of Great Lakes Michael Chekhov Consortium, a producing and teaching organization. Since her retirement she has continued to work on stage and on camera. She will be seen this May at Dobama in Significant Other.

Jeffrey Ullom

(Dramaturg) is an Associate Professor of Theater at Case Western Reserve University where he teaches theatre history and dramaturgy. He is the author of several books and articles focusing on regional theatre, including his most recent book on Cleveland Play House America’s First Regional Theatre. As a more(Dramaturg) is an Associate Professor of Theater at Case Western Reserve University where he teaches theatre history and dramaturgy. He is the author of several books and articles focusing on regional theatre, including his most recent book on Cleveland Play House America’s First Regional Theatre. As a dramaturg, he worked with notable playwrights including Tony Kushner, David Henry Hwang, John Patrick Shanley and others at the Humana Festival of New American Plays, and he has served as a dramaturg for several Cleveland Play House productions. He is currently working on two books—a broad history of regional theatre and a murder mystery involving theatre history.

Tyree J. Franklin

(Stage Manager) is a Cleveland based stage manager and Artist with his BFA in Stage Management from Wright State University. His recent stage management credits include: Everybody (CWRU/CPH), Passage (CWRU/CPH), Irma Bombeck (CPH), The Tempest (CWRU/CPH), Ma Rainey's Black Bottom (Karamu House), Bubbly Black Girl Sheds Here Chameleon Skin more(Stage Manager) is a Cleveland based stage manager and Artist with his BFA in Stage Management from Wright State University. His recent stage management credits include: Everybody (CWRU/CPH), Passage (CWRU/CPH), Irma Bombeck (CPH), The Tempest (CWRU/CPH), Ma Rainey's Black Bottom (Karamu House), Bubbly Black Girl Sheds Here Chameleon Skin (Karamu House) and this will be his fifth season working on Langston Hughes’ Black Nativity (Karamu House). He is also a new playwright with his show Tales of a Fat Man, which was featured at CPT’s Pandemonium ’23. He would like to thank his family and friends for their continued love and support!

Meet CPH Managing Director Rachel Fink

Meet CPH Managing Director Rachel Fink

MEET RACHEL FINK, CPH’S NEW MANAGING DIRECTOR! By Craig Joseph, Literary Director What are you looking forward to as you return to Cleveland...

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