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October 10 - 20, 2018 , The Helen

CWRU/CPH MFA Acting Program

The Seagull

written by Anton Chekhov
translated by Paul Schmidt
directed by Sarah Elizabeth Wansley

Run time: 2 hours, 30 minutes (includes 15 minute intermission)

It’s The Seagull as you have never seen it before as Anton Chekhov’s masterpiece gets a fresh, contemporary take in this youthful and energetic production. Each on their own quest for artistic and romantic fulfillment, guests at a country estate find themselves entangled in romantic triangles, leading to resentment, jealousy, and misplaced affection along with love, music, and laughter through tears.

Photos & Videos Download Hi Res Photos

The cast of The Seagull. Photo credit: Kristin Netzband

Left to right: Alex Brightwell (Konstantin) and Elisabeth Yancey (Nina). Photo credit: Kristin Netzband

Gregory James (Trigorin). Photo credit: Kristin Netzband

Brett DiCello (Shamrayev). Photo credit: Kristin Netzband

Left to right: Kadijah Wingo (Paulina) and Abdul Seidu (Dorn). Photo credit: Kristin Netzband

Left to right: Elisabeth Yancey (Nina) and Alex Brightwell (Konstantin). Photo credit: Kristin Netzband

Left to right: Elisabeth Yancey (Nina) and Gregory James (Trigorin). Photo credit: Kristin Netzband

Courtney Stennett (Masha). Photo credit: Kristin Netzband

Conor Canning (Medvedenko). Photo credit: Kristin Netzband

Foreground: Abdul Seidu (Dorn) Background: Courtney Stennett (Masha). Photo credit: Kristin Netzband

Left to right: Comfort Dolo (Sorin) and Kasey Connolly (Arkadina). Photo credit: Kristin Netzband

Alex Brightwell (Konstantin). Photo credit: Kristin Netzband

Foreground: Kasey Connolly (Arkadina) Background: Gregory James (Trigorin). Photo credit: Kristin Netzband

Elisabeth Yancey (Nina) and Gregory James (Trigorin). Photo Credit: Kristin Netzband.

Artists

Alex Brightwell

Alex Brightwell

(Kostya) was most recently seen in Every Brilliant Thing at Cleveland Play House. He was born in West Virginia, raised in North Carolina, and earned his BFA from the University of Minnesota/Guthrie Theater Actor Training Program. He was a Conservatory member for the 2018 and 2019 seasons at more(Kostya) was most recently seen in Every Brilliant Thing at Cleveland Play House. He was born in West Virginia, raised in North Carolina, and earned his BFA from the University of Minnesota/Guthrie Theater Actor Training Program. He was a Conservatory member for the 2018 and 2019 seasons at the Chautauqua Theater Company, where he played Nick Bottom in A Midsummer Night’s Dream; Alfie in One Man, Two Guvnors; Silvius in As You Like It; and Br’er Rabbit/Ratts in An Octoroon. Other Cleveland credits include the New Ground Theater Festival reading of Tiny Houses and the CWRU/CPH MFA productions of The Merchant of Venice, Hay Fever, The Seagull, and Fifth of July. He has also been seen at Yellow Tree Theater, Minnesota Jewish Theatre, Walking Shadow Theatre Company, Public Theater of Minnesota, and the Guthrie Theater.

Conor Canning

Conor Canning

(Medvedenko) was born and raised in Alford, Massachusetts. He is a 2016 graduate of Georgetown University where he majored in Political Economy and minored in Theater and Performance Studies. During his time in the CWRU/CPH MFA program, Conor has played Lorzeno in The Merchant of Venice, Simon Bliss in more(Medvedenko) was born and raised in Alford, Massachusetts. He is a 2016 graduate of Georgetown University where he majored in Political Economy and minored in Theater and Performance Studies. During his time in the CWRU/CPH MFA program, Conor has played Lorzeno in The Merchant of Venice, Simon Bliss in Hay Fever, Medvenko in The Seagull, and Jed Jenkins in Fifth of July. Other notable credits include playing Joe Cooper in Killer Joe, Stacey Kinsella in The Metal Children, and Angelo in Measure for Measure. Conor would like to thank his family for all their love and support as well as all members of the CWRU/CPH community who have offered their guidance, wisdom, and encouragement over the last three years.

Kasey Connolly

Kasey Connolly

(Arkadina) came to the CWRU/CPH MFA Acting Program from New York City where she attended the Gallatin School of Individualized Study at NYU. While there, she focused primarily on classical texts and performed in Hamlet; Mother Courage; and an all-female, democratically directed production of Julius Caesar. Cleveland credits include more(Arkadina) came to the CWRU/CPH MFA Acting Program from New York City where she attended the Gallatin School of Individualized Study at NYU. While there, she focused primarily on classical texts and performed in Hamlet; Mother Courage; and an all-female, democratically directed production of Julius Caesar. Cleveland credits include understudy for Maggie Dalton in Into the Breeches! at Cleveland Play House and the CPH New Ground Theatre Festival readings of Christina, Tiny Houses, and Cicada. As a member of the CWRU/CPH MFA acting program, she's appeared onstage in The Merchant of Venice, Hay Fever, The Seagull, and The Fifth of July. Film credits include the independent shorts Apprehending Edmund Montrell and A Way Home. kaseyconnolly.com

Brett DiCello

(Shamarayev) is honored to be a part of The Seagull! Previous credits include The Addams Family (Gomez Addams), The 25th Annual Putnam County Spelling Bee (Doug Panch), A Midsummer Night’s Dream (Bottom), and Urinetown (Lockstock). Brett was a member of IMPROVment: Case Western’s Premiere Improv Comedy Troupe. He spent more(Shamarayev) is honored to be a part of The Seagull! Previous credits include The Addams Family (Gomez Addams), The 25th Annual Putnam County Spelling Bee (Doug Panch), A Midsummer Night’s Dream (Bottom), and Urinetown (Lockstock). Brett was a member of IMPROVment: Case Western’s Premiere Improv Comedy Troupe. He spent a semester studying abroad at the Royal Academy of Dramatic Arts. Brett also has a B.A. in Theater and a B.S. in Biomedical Engineering at Case Western Reserve University.

Comfort Dolo

Comfort Dolo

(Sorin) can't believe she's nearing the end of her CWRU/CPH adventure! She was born in Chattanooga, Tennessee and raised in friendly Fridley, Minnesota. She graduated from Gustavus Adolphus College in St. Peter, MN with double majors in Honors Theatre and Communication Studies. Favorite credits include: To Kill a Mockingbird more(Sorin) can't believe she's nearing the end of her CWRU/CPH adventure! She was born in Chattanooga, Tennessee and raised in friendly Fridley, Minnesota. She graduated from Gustavus Adolphus College in St. Peter, MN with double majors in Honors Theatre and Communication Studies. Favorite credits include: To Kill a Mockingbird (The Guthrie Theater), TOUCH, a remake of the 1984 Emmy Award winning film (Illusion Theater), and various commercials ranging from the Minnesota State Lottery to hand modeling for KeyBank. She recently made her Cleveland Play House debut in Into the Breeches! (Ida Green) while also understudying the role of Jasmine in Pipeline. CWRU/CPH Credits include: Jessica and Salarino (The Merchant of Venice); Sorel Bliss (Hay Fever); Sorin (The Seagull); Shirley (Fifth of July). Naomi in Sugar (Phoenix Theater), Carlos Sirah’s The Utterances (The Playwright’s Center). She is a big fan of theatre for social justice, the German language, and gummy bears!

Gregory James

Gregory James

(Trigorin) is excited to be making his CPH and Equity debut. He is a member of the Cleveland sketch comedy duo Flamingo City and is a sketch writing student of Michael Busch. Stage credits: Male Understudy in Clue (Cleveland Play House); Lucio in Measure for Measure, Mercutio in Romeo more(Trigorin) is excited to be making his CPH and Equity debut. He is a member of the Cleveland sketch comedy duo Flamingo City and is a sketch writing student of Michael Busch. Stage credits: Male Understudy in Clue (Cleveland Play House); Lucio in Measure for Measure, Mercutio in Romeo and Juliet, and Brooke in Little Women (Oberlin Summer Theater Festival); Bassanio in The Merchant of Venice, David in Hay Fever, Trigorin in The Seagull, and John in Fifth of July (CWRU/CPH). LA theatre credits include Summer and Smoke, The Hound of the Baskervilles, and Lend Me a Tenor (Actors Co-Op Theatre Hollywood), and Some Girl(s) (LA Fringe). Gregory was a founding member of the Whitefire Theatre Company in Los Angeles. Film credits include Jilted for Glamour Magazine, Slow Clap Comedy, and the Actors Co-Op Series, The Fur is Gone. All my love to Molly. GregoryJamesActing.com @GregoryJamesActing

Abdul Seidu

Abdul Seidu

(Dorn) is here in Cleveland for a fun time not a long time. Abdul graduated summa cum laude from Kent State with a BA in Theatre Arts. He has recently been seen in the CRSHD world premiere in the Tribeca Film Festival. Also look out for him on Amazon more(Dorn) is here in Cleveland for a fun time not a long time. Abdul graduated summa cum laude from Kent State with a BA in Theatre Arts. He has recently been seen in the CRSHD world premiere in the Tribeca Film Festival. Also look out for him on Amazon Prime Video in I'm Your Woman. Abdul is happy to take the stage one last time with his CWRU/CPH MFA teammates. Last seen in Cleveland in productions of Hay Fever, The Seagull, and Merchant of Venice. Instagram: @AbdultheAfrican

Courtney Stennett

Courtney Stennett

(Masha) is a native of Eagle, Idaho. She graduated with her BFA in Performance from Baylor University. Prior to making the move to Cleveland, Courtney enjoyed living and performing in Chicago. She most recently appeared onstage at Cleveland Play House in Into the Breeches! She spent the summer more(Masha) is a native of Eagle, Idaho. She graduated with her BFA in Performance from Baylor University. Prior to making the move to Cleveland, Courtney enjoyed living and performing in Chicago. She most recently appeared onstage at Cleveland Play House in Into the Breeches! She spent the summer at Chautauqua Theatre Company in One Man, Two Guvnors; A Midsummer Night's Dream; and in the New Play Workshop production of Agent 355. She has been seen in the CWRU/CPH productions of Hay Fever as Judith Bliss, The Seagull as Masha, and Fifth of July as Sally Friedman. Summer of 2018 she appeared internationally at the Edinburgh Fringe Festival in Call of the Void. Additional recent professional credits include Agnes of God (Aleatoric Theatre), A Little Princess (Windy City Music Theatre), and Seminar (Spartan Theatre Company). Courtney is delighted and humbled to be working toward her MFA in the CWRU/CPH Acting program and thrilled to be part of this ensemble!

Kadijah Wingo

(Paulina) BFA Acting at Ohio University: Defiance of Dandelions (Queerness/Lee), Last Days of Judas Iscariot (Saint Monica), Madness of Ladybright (Girl), The Rover (Don Pedro), and Machinal (Mother). more(Paulina) BFA Acting at Ohio University: Defiance of Dandelions (Queerness/Lee), Last Days of Judas Iscariot (Saint Monica), Madness of Ladybright (Girl), The Rover (Don Pedro), and Machinal (Mother).

Elisabeth Yancey

Elisabeth Yancey

(Nina) was most recently onstage with Cleveland Play House as Yvette in Clue and Grace Richards in Into the Breeches!. Other credits with CWRU/CPH MFA Acting Program include The Merchant of Venice, Hay Fever, The Seagull, and Fifth of July. Internationally, Elisabeth performed at The Edinburgh Fringe Festival in more(Nina) was most recently onstage with Cleveland Play House as Yvette in Clue and Grace Richards in Into the Breeches!. Other credits with CWRU/CPH MFA Acting Program include The Merchant of Venice, Hay Fever, The Seagull, and Fifth of July. Internationally, Elisabeth performed at The Edinburgh Fringe Festival in the world premiere of Call of the Void. Other favorite credits include CPH’s New Ground Theatre Festival in Cicada and Christina, and the Oberlin Summer Theater Festival in Romeo and Juliet and Little Women, as well as work with Wellesley Repertory Theatre. Elisabeth holds a BA in Theatre Studies from Wellesley College, a certificate of classical acting from the London Academy of Music and Dramatic Arts, and a certificate of literature from Cambridge University. She could not be more delighted to join this ensemble in bringing this story to life. www.elisabethyancey.com Insta: @elisabethyancey

Inda Blatch-Geib

(Costume Designer) has worked as a costume and production designer for over 1,000 theatrical, commercial, and film releases, spanning 35 years and crossing 4 continents. Production and Costume Design has included commercials for Footlocker, The West Virginia Lottery’s national award-winning campaigns, The Ohio Lottery, Microsoft, Under Armor, McDonalds, TroyBuilt, more(Costume Designer) has worked as a costume and production designer for over 1,000 theatrical, commercial, and film releases, spanning 35 years and crossing 4 continents. Production and Costume Design has included commercials for Footlocker, The West Virginia Lottery’s national award-winning campaigns, The Ohio Lottery, Microsoft, Under Armor, McDonalds, TroyBuilt, Meijer, and The Original Mattress Factory as well as the Cleveland Cavaliers’ 1970s and 1980s themed videos, national spots for the team, and design for on-court half-time shows, including their mascot shield design and pyrotechnic sword. Live performance and festival design include Machine Gun Kelly’s US and European Tours as well as ESTFEST and Wolstein Arena productions. Specialty projects include microphone stand designs for MGK and Bear. Print designs have included set styling for Harper’s Bazaar UK, Scarlett Johansson cover and spread, as well as catalogue set styling for Foundations and Kilgore Trout. Additionally, Ms. Blatch-Geib’s designs have been showcased in exhibits at The Smithsonian Institute, with film projects including Ohio Art Direction of The Signal, starring Laurence Fishburne and Production and Costume Design of The Con. Theatrical Design includes Production & Costume Design for the special Off-Broadway Production of Kris Kringle, The Musical; Costume Design for the Cleveland Play House production of Native Gardens; as well as multiple productions for the Colombian National Opera. Music Video Production and Costume Design includes Machine Gun Kelly’s Alpha Omega and Let You Go releases. Locally, Inda is the 2022/2023 Resident Designer for Karamu House, Cleveland Public Theatre, Magical Theatre Company, and Cleveland Institute of Music.

Kyra Button

(Stage Manager) is excited to be returning to Cleveland Play House for her sixth season. At CPH, she has worked on Antigone, Where Did We Sit On The Bus?, Tiny Houses, Into The Breeches, and Pipeline, to name a few. Her previous credits also include ABCD (Barrington Stage Company), more(Stage Manager) is excited to be returning to Cleveland Play House for her sixth season. At CPH, she has worked on Antigone, Where Did We Sit On The Bus?, Tiny Houses, Into The Breeches, and Pipeline, to name a few. Her previous credits also include ABCD (Barrington Stage Company), Dreamgirls (Virginia Stage Company), Hurricane Diane (Dobama Theatre), Baby Camp (Leviathan Labs), Resistance (Semicolon Theatre), The Heart’s Impatience (Shufflefoot Theatre Company), A Streetcar Named Desire (St. Ann’s Warehouse), Medea and Dreamgirls (Red House Arts Center), This Day Forward (The Vineyard Theatre), and The Intergenerational Project (Rose Bruford, London). Kyra is proud to hold a BFA in Stage Management from Syracuse University’s Department of Drama and is overjoyed to be working on this production.

Donald Carrier

Donald Carrier

(Interim Director of CWRU/CPH MFA Acting Program, T) is the Director of the CWRU/CPH MFA Acting Program. He most recently directed Passage and Middletown for the MFA Program, Othello at Texas Shakespeare Festival and As You Like It for the CWRU Department of Theater. For the CWRU/CPH MFA Acting more(Interim Director of CWRU/CPH MFA Acting Program, T) is the Director of the CWRU/CPH MFA Acting Program. He most recently directed Passage and Middletown for the MFA Program, Othello at Texas Shakespeare Festival and As You Like It for the CWRU Department of Theater. For the CWRU/CPH MFA Acting Program, he has also directed Fifth of July, Clybourne Park, The Misanthrope, Too True to Be Good, and The Violins of Hope. Other directing includes Who’s Afraid of Virginia Woolf?, Seminar, and Really Really (Beck Center for the Arts); and Becky Shaw (Dobama Theatre). Other selected directing credits include The Crucible, The Two Gentlemen of Verona, Alms, Twelfth Night, As You Like It, Habeas Corpus, The Pirates of Penzance, and Oh! What a Lovely War. He has appeared at Cleveland Play House in Shakespeare in Love; All the Way; Luna Gale; The Crucible; The Little Foxes; Yentl; In the Next Room, or the vibrator play; Ten Chimneys; Noises Off; and Lincolnesque. Regional credits include The National Arts Center, Notre Dame Shakespeare Festival, Great Lakes Theater, The Studio Theatre, The Shakespeare Theatre, The Wilma Theater, The Huntington Theatre, The Intiman Theatre, and Chicago Shakespeare Theater. He spent nine seasons at the Stratford Festival, three seasons at the Old Globe, and two seasons at the Shaw Festival. Television/Film: Guns, The Time Traveler’s Wife, The Passion of Ayn Rand, and Dead by Monday. Don is a proud Lunt/Fontanne Fellow.

Jill Davis

(Scenic Designer) Scenic Designer) Professional set design: A Midsummer Night’s Dream (Chautauqua Theater Company); Chez Feydeau (The Royal Academy of Dramatic Art in London); Marjorie Prime, The Mystery of Love and Sex, Belleville, Time Stands Still, and Grizzly Mama (Dobama Theater); and A Doll’s House (The American Stage Theater more(Scenic Designer) Scenic Designer) Professional set design: A Midsummer Night’s Dream (Chautauqua Theater Company); Chez Feydeau (The Royal Academy of Dramatic Art in London); Marjorie Prime, The Mystery of Love and Sex, Belleville, Time Stands Still, and Grizzly Mama (Dobama Theater); and A Doll’s House (The American Stage Theater Company). Set designs for the CWRU/CPH MFA Acting Program include The Seagull, Macbeth, Clybourne Park, Too True to Be Good, Identity Theft, Present Laughter, An Orchard, and Angels in America: Millennium Approaches. Set designs for CWRU undergraduate productions include Uncle Vanya; Urinetown; In the Next Room, or the vibrator play; and A Midsummer Night’s Dream. Jill is an Associate Professor at Case Western Reserve University and Resident Scenic and Lighting Designer for the Department of Theater. As the Charge Scenic Artist at Cleveland Play House 2001-2011, she was in charge of painting the sets for over 100 productions. Jilldavisscenicdesign.com.

Nicholas Drashner

(Sound Designer) is a Cleveland-based sound designer and projection designer. Credits include: THIS (Dobama Theatre), The Seagull (Case Western Reserve University/Cleveland Play House), This Might Be The End (THE TRIP, Theatre Lab NYC), Macbeth(Case Western Reserve University/Cleveland Play House), The Last Tiger in Haiti (La Jolla Playhouse/Berkeley Repertory Theatre), more(Sound Designer) is a Cleveland-based sound designer and projection designer. Credits include: THIS (Dobama Theatre), The Seagull (Case Western Reserve University/Cleveland Play House), This Might Be The End (THE TRIP, Theatre Lab NYC), Macbeth(Case Western Reserve University/Cleveland Play House), The Last Tiger in Haiti (La Jolla Playhouse/Berkeley Repertory Theatre), Orpheus & Eurydice (THE TRIP, Theatre Lab NYC), The Astronaut Farmworker (La Jolla Playhouse), Suzette Who Set to Sea (La Jolla Playhouse/Honolulu Theatre for Youth), Beijing Spring (East West Players), Kingdom City (La Jolla Playhouse), Fool for Love (Chalk Repertory Theatre), Chagall (Malashock Dance), Lonely Boys Guide to Survival (La Jolla Playhouse), Words By (North Coast Repertory Theatre), Topdog/Underdog (Ion Theatre). He received an MFA in Sound Design for Theatre and Dance from University of California San Diego, and is currently Assistant Professor of Sound Design & Projection Design at Kent State University.

Annie Garrett-Larsen

(Lighting Designer) is currently based in New York City and is thrilled to be returning to Cleveland Play House after spending the 2017-18 season as the Cleveland Play House Lighting Apprentice. Previous CPH design credits include: Hi, Are You Single?; Aunt Leaf; Junie B. Jones: the Musical; and Ghost more(Lighting Designer) is currently based in New York City and is thrilled to be returning to Cleveland Play House after spending the 2017-18 season as the Cleveland Play House Lighting Apprentice. Previous CPH design credits include: Hi, Are You Single?; Aunt Leaf; Junie B. Jones: the Musical; and Ghost Party. Additional design credits include CRACKED (Theatre at 14th St. Y), Mamma Mia! and A Funny Thing Happened on the Way to the Forum (Stagedoor Manor), MAIDS and These Young Men and Women (Richard B. Fisher Center for the Performing Arts), FEST, Making a Man, Into the Woods, and Miranda (Old Gym at Bard College), and How to Eat the Thing that Eats You (Dixon Place). She is a graduate of Bard College.

Laura Kepley

Laura Kepley

(Artistic Director of Cleveland Play House) (she/her) became Artistic Director of Cleveland Play House in 2013, and has directed numerous CPH mainstage productions, including The Crucible; Sweat; The Diary of Anne Frank; In the Next Room, or the vibrator play; Into the Breeches!; Every Brilliant Thing; and the world more(Artistic Director of Cleveland Play House) (she/her) became Artistic Director of Cleveland Play House in 2013, and has directed numerous CPH mainstage productions, including The Crucible; Sweat; The Diary of Anne Frank; In the Next Room, or the vibrator play; Into the Breeches!; Every Brilliant Thing; and the world premieres of Tiny Houses, The Good Peaches, Fairfield, and A Carol for Cleveland. She joined CPH in 2010, having arrived from Trinity Repertory Company in Providence, Rhode Island, where she was Resident Director and Artistic Associate for four seasons and Interim Director of the Brown/Trinity Rep M.F.A. in Directing Program for one. She has also at Playhouse Square clevelandplayhouse.com 25 directed for The Alliance Theatre, Asolo Repertory Theatre, Chautauqua Theater Company, Cincinnati Playhouse in the Park, Contemporary American Theatre Festival, Syracuse Stage, Trinity Rep, and The John F. Kennedy Center for the Performing Arts, among others. A native Ohioan, Laura received her undergraduate degree from Northwestern University and her Master of Fine Arts from Brown University/Trinity Rep. She is a Drama League Fellow, a recipient of the 2009– 2011 National Endowment for the Arts/Theatre Communications Group Career Development Program for Directors, and a member of Leadership Cleveland’s Class of 2021. Locally, she has been recognized with multiple Outstanding Director commendations from The Cleveland Critics Circle, a Cuyahoga Community College Smart Business Smart Women Award, and a Crain’s Cleveland Woman of Note designation.

Beth McGee

(Voice Coach) is a member of Actor’s Equity a local actress, and a voice, speech, and dialect coach. She is one of the co-founders of Cleveland’s immersive theater company Shadow of the Run LLC, and was the playwright for their first immersive piece, Wanderlust. She was the more(Voice Coach) is a member of Actor’s Equity a local actress, and a voice, speech, and dialect coach. She is one of the co-founders of Cleveland’s immersive theater company Shadow of the Run LLC, and was the playwright for their first immersive piece, Wanderlust. She was the on-set dialect coach for Cinemax’s 2016 television series Quarry, directed by Greg Yaitanes. She has acted as dialect coach for many Cleveland area theaters and dialect coached the 2002 film Welcome to Collinwood starring George Clooney, and directed by the Russo Brothers. She has coached and/or acted in productions at numerous Cleveland area theaters. She is a Professor of Voice and Acting at Case Western Reserve University.

Kevin Moore

(Managing Director) is in his thirteenth season at Cleveland Play House, recipient of the 2015 Regional Theatre Tony Award. During his tenure, CPH made its historic relocation to the Allen Theatre in partnership with Playhouse Square and Cleveland State University. He serves on the Board of Directors of Theatre more(Managing Director) is in his thirteenth season at Cleveland Play House, recipient of the 2015 Regional Theatre Tony Award. During his tenure, CPH made its historic relocation to the Allen Theatre in partnership with Playhouse Square and Cleveland State University. He serves on the Board of Directors of Theatre Forward, Arts Cleveland, and the Commission on Economic Inclusion. From 1998 to 2007, Kevin was Managing Director of Woolly Mammoth Theatre Company in Washington, D.C. where he helped lead the funding and construction of an award-winning new theatre facility. Previous positions include Director of Marketing at La Jolla Playhouse in San Diego, California. He is a former president of both the National New Play Network and the League of Washington Theatres. Kevin teaches theatre management at Cleveland State University and is an adjunct professor in the Department of Theater at Case Western Reserve University. He is a graduate of Moorhead (MN) State University, holds a Master of Arts in Arts Administration from Indiana University, and is a member of the Leadership Cleveland Class of 2009.

Jerrold Scott

Jerrold Scott

(Chair of CWRU Department of Theater) is Katharine Bakeless Nason Professor of Theater at Case Western Reserve University where he teaches directing, classical acting, and speech and dialects, and also serves as the department's producing director. For the CWRU/CPH MFA Acting Program, he has directed Hay Fever, She Stoops more(Chair of CWRU Department of Theater) is Katharine Bakeless Nason Professor of Theater at Case Western Reserve University where he teaches directing, classical acting, and speech and dialects, and also serves as the department's producing director. For the CWRU/CPH MFA Acting Program, he has directed Hay Fever, She Stoops to Conquer, The Philadelphia Story, Present Laughter, Heartbreak House, and The Real Thing, and performed in As You Like It. Jerrold has directed 17 productions for the Department of Theater and will be directing Arcadia this fall as the inaugural production of the department at the Maltz Performing Arts Center. Other local directing credits include A Doll’s House, A Midsummer Night’s Dream, and Polish Joke (Beck Center for the Arts); As You Like It (Cleveland Shakespeare Festival); and A Long Day’s Journey Into Night (Weathervane Playhouse in Akron). Prior to his CWRU appointment, he worked as a director, actor, and educator in Washington, DC. He has taught at George Mason University, The Catholic University of America, and served a visiting lectureship at The Ohio State University. He holds a Master of Fine Arts in Theatre from the University of South Carolina/The Shakespeare Theatre, a Bachelor of Arts from the University of Pittsburgh, and pursued further study in classical performance at the Royal Academy of Dramatic Arts. Jerrold is a member of AEA, SAG-AFTRA and an associate member of SDC.

Cyrus C. Taylor

(Dean of CWRU College of Arts and Sciences) is the Albert A. Michelson Professor in Physics at Case Western Reserve University. He joined the CWRU faculty in 1988. He has been a member of the Faculty Senate and served as chair of the Senate's Budget Committee, as well as more(Dean of CWRU College of Arts and Sciences) is the Albert A. Michelson Professor in Physics at Case Western Reserve University. He joined the CWRU faculty in 1988. He has been a member of the Faculty Senate and served as chair of the Senate's Budget Committee, as well as a member of the SAGES Implementation Task Force. He was a member of the Steering Committee of the Academic Careers in Engineering & Science (ACES) program at CWRU, the first private university to be funded by the National Science Foundation ADVANCE program to promote full participation of women at all levels of faculty and academic leadership. Dr. Taylor earned his Ph.D. from Massachusetts Institute of Technology. A former Truman Scholar, Lilly Foundation Teaching Fellow and Guggenheim Fellow, he has published more than 60 papers and given more than 70 invited talks. Taylor has worked in theoretical and experimental high-energy physics, serving as co-spokesman of the MiniMax collaboration (FNAL T-864) at Fermilab and as co-spokesperson of the FELIX collaboration at CERN. He created and directed the Physics Entrepreneurship Program (PEP), which he helped expand into the now internationally known Science Technology and Entrepreneurship Program (STEP) at CWRU. In 2002 he was named a Fellow of the American Physical Society for providing a new paradigm for graduate education in physics through creation of a Physics Entrepreneurship Master's Program and in 2003 was awarded the Price Institute Innovative Entrepreneurship Educators Award.

Sarah Wansley

(Director) is the 2018-19 Artistic Directing Fellow at Cleveland Play House and the Artistic Producer at Chautauqua Theater Company. At CPH, Sarah directed The Seagull by Anton Chekhov with the CWRU/CPH MFA program and assisted Laura Kepley on the 2015 production of The Crucible. Recent directing projects include Revolt. more(Director) is the 2018-19 Artistic Directing Fellow at Cleveland Play House and the Artistic Producer at Chautauqua Theater Company. At CPH, Sarah directed The Seagull by Anton Chekhov with the CWRU/CPH MFA program and assisted Laura Kepley on the 2015 production of The Crucible. Recent directing projects include Revolt. She Said. Revolt Again by Alice Birch at Dobama Theatre, and The Amish Project by Jessica Dickey at Chautauqua Theater Company. She has directed new work at The Flea Theater, Ensemble Studio Theatre, the La Jolla Playhouse's Without Walls Festival, the McCarter Theatre's Youth Ink Festival, Fordham University, New York University and Columbia University. Up next: A Midsummer Night's Dream by William Shakespeare at Chautauqua Theater Company. Sarah is a New Georges Affiliated Artist, a 2015 Drama League Directing Fellow and a member of the 2011 Lincoln Center Director's Lab. Sarah received her MFA in Directing from UCSD and a BA in English Literature from Columbia University (summa cum laude). She is an Adjunct Lecturer at Fordham University.

The Mysterious Appeal of Murder

The Mysterious Appeal of Murder

By D.M. Pulley When I stumbled into a bank vault full of abandoned safe deposit boxes during a survey in 2001, I did not see family heirlooms, adopti...

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