Michael Boll

(Lighting Designer) Cleveland Play House productions include: Into the Breeches!; Native Gardens; An Iliad; The Invisible Hand; These Mortal Hosts; The Good Peaches; A Christmas Story; The Little Foxes; Venus in Fur; Every Good Boy Deserves Favor; In the Next Room, or the vibrator play; and Stew and the Negro more(Lighting Designer) Cleveland Play House productions include: Into the Breeches!; Native Gardens; An Iliad; The Invisible Hand; These Mortal Hosts; The Good Peaches; A Christmas Story; The Little Foxes; Venus in Fur; Every Good Boy Deserves Favor; In the Next Room, or the vibrator play; and Stew and the Negro Problem. CWRU/CPH MFA Acting Program credits include: Macbeth, Metamorphoses, Identity Theft, The Winter's Tale, In Arabia We'd All Be Kings, An Orchard, Cloud 9, and Angels in America: Millennium Approaches. Cleveland lighting design work includes Cleveland Public Theatre, Cain Park, Cleveland Museum of Art, Karamu House, Dobama Theatre, and Beck Center for the Arts. Off-Broadway credits include The Moliere Cycle (Classic Stage Company), Songs for a New World (George Street Playhouse), Dog Sees God (SoHo Playhouse), and The Moonlight Room (Associate Lighting Designer, Beckett Theatre). His work has also been seen at the N.Y. Fringe Festival, La MaMa E.T.C., HERE Arts Center, and Yale Cabaret.

Kyra Button

(Production Assistant) is excited to be in her third season at Cleveland Play House, having worked on Pipeline, Into the Breeches!, An Iliad, Tiny Houses, The Seagull, Shakespeare in Love, Macbeth, The Invisible Hand, and The 25th Annual Putnam County Spelling Bee, just to name a few. Her previous credits more(Production Assistant) is excited to be in her third season at Cleveland Play House, having worked on Pipeline, Into the Breeches!, An Iliad, Tiny Houses, The Seagull, Shakespeare in Love, Macbeth, The Invisible Hand, and The 25th Annual Putnam County Spelling Bee, just to name a few. Her previous credits include The Heart’s Impatience (Shufflefoot Theatre Company), Resistance (Semicolon Theatre), A Streetcar Named Desire (St. Ann’s Warehouse), Medea and Dreamgirls (Red House Arts Center), This Day Forward (The Vineyard Theatre), and The Intergenerational Project (Rose Bruford, London). She is overjoyed to be continuing her work with CPH and is proud to hold a BFA in Stage Management from Syracuse University’s Department of Drama.

John Godbout

(Stage Manager) was Cleveland Play House's resident stage manager from 2001 to 2008 and returned to CPH in the fall of 2011. This past summer, he worked at Porthouse Theatre where he stage managed Man of La Mancha and The Music Man. John has also stage managed at North more(Stage Manager) was Cleveland Play House's resident stage manager from 2001 to 2008 and returned to CPH in the fall of 2011. This past summer, he worked at Porthouse Theatre where he stage managed Man of La Mancha and The Music Man. John has also stage managed at North Shore Music Theatre, Capital Repertory Theatre, The Weston Playhouse, Berkshire Theatre Festival, Arkansas Repertory Theatre, Northern Stage, and Seaside Music Theatre.

Alyssa Henkelman

Tom Humes

(Assistant Stage Manager) returns for his sixth season as a resident member of the stage management staff at Cleveland Play House. Selected area stage management credits include Memphis, Rock of Ages, Godspell, The Frogs, Smokey Joe's Café, Avenue Q, Pippin, and Oliver! (Cain Park); Le Nozze di Figaro and more(Assistant Stage Manager) returns for his sixth season as a resident member of the stage management staff at Cleveland Play House. Selected area stage management credits include Memphis, Rock of Ages, Godspell, The Frogs, Smokey Joe's Café, Avenue Q, Pippin, and Oliver! (Cain Park); Le Nozze di Figaro and Cosi Fan Tutte (The Cleveland Orchestra); Tosca, La Boheme, and Lucia Di Lammermoor (Opera Cleveland); Caroline, or Change (Dobama Theatre and Karamu House); and History Boys (Beck Center for the Arts). He is a proud member of both Actors' Equity Association and the International Alliance of Theatrical Stage Employees (IATSE). He earned a Bachelor of Arts in Theatre with a minor in Mathematics from Bowling Green State University.

David Kay Mickelsen

(Costume Designer) returns for his 23rd production at Cleveland Play House, having recently designed costumes for The Diary of Anne Frank; All the Way; A Christmas Story; Bell, Book and Candle; and In the Next Room, or the vibrator play. He has designed more than 400 productions at regional theatres more(Costume Designer) returns for his 23rd production at Cleveland Play House, having recently designed costumes for The Diary of Anne Frank; All the Way; A Christmas Story; Bell, Book and Candle; and In the Next Room, or the vibrator play. He has designed more than 400 productions at regional theatres across the country including Guthrie Theater, Denver Center for the Performing Arts, Arizona Theatre Company, Geffen Playhouse, Berkeley Repertory Theatre, Ford’s Theatre, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Williamstown Theatre Festival, The Children’s Theatre Company of Minneapolis; Seattle, Tennessee, Missouri, San Diego, and New Mexico Repertory Theatres, Sundance Theatre Festival; Oregon, Utah, Colorado, and Illinois Shakespeare Festivals. Originally from Canby, Oregon; David now makes his home in Long Beach, California. David is the Vice Chairman of The Western Region of United Scenic Artists 829.

Robert Mark Morgan

(Scenic Designer) designed Into the Breeches!, Sweat, The Diary of Anne Frank, All the Way, A Christmas Story, The Whipping Man, The Glass Menagerie, Emma, and Bill W. and Dr. Bob for Cleveland Play House. Other credits include Wizard of Oz, Fiddler on the Roof, Les Misérables, West Side Story, more(Scenic Designer) designed Into the Breeches!, Sweat, The Diary of Anne Frank, All the Way, A Christmas Story, The Whipping Man, The Glass Menagerie, Emma, and Bill W. and Dr. Bob for Cleveland Play House. Other credits include Wizard of Oz, Fiddler on the Roof, Les Misérables, West Side Story, Billy Elliot, and Seussical The Musical (The Muny in St. Louis); exhibit designer for Avatar the Exhibition (Experience Music Project in Seattle); Fallen Angels (Asolo Repertory Theatre); Joshua's Boots (Opera Theatre of St. Louis and Amarillo Opera); The Rainmaker, A Moon for the Misbegotten (2007 Prague Design Quadrennial); The Dazzle (A.C.T. San Francisco); The Giver, The Diary of Anne Frank, Jesus Hates Me, and House of the Spirits (Denver Center for the Performing Arts); Saint Joan, Jekyll & Hyde, Ordinary Nation, Rabbit Hole, Fall of Heaven, and 4000 Miles (Repertory Theatre of St. Louis); The Subject Tonight is Love (Alliance Theatre Company); Just Stopped by to See the Man and The Whipping Man (The Old Globe); and numerous Utah Shakespeare Festival productions in the 2012/13 season. Robert is a Teaching Professor at Washington University in St. Louis and Director of the Beyond Boundaries Program in interdisciplinary education. morgansetdesign.com

James C. Swonger

(Sound Designer) has designed sound for many Cleveland Play House productions including The Good Peaches (world premiere), Vanya and Sonia and Masha and Spike, Breath and Imagination, Good People, The Devil’s Music: The Life and Blues of Bessie Smith, Bell, Book and Candle, The Game’s Afoot (world premiere), Bill W. more(Sound Designer) has designed sound for many Cleveland Play House productions including The Good Peaches (world premiere), Vanya and Sonia and Masha and Spike, Breath and Imagination, Good People, The Devil’s Music: The Life and Blues of Bessie Smith, Bell, Book and Candle, The Game’s Afoot (world premiere), Bill W. and Dr. Bob, Heaven’s My Destination (world premiere), Noises Off!, Gee’s Bend, and I Am My Own Wife. CWRU/CPH MFA Acting Program credits include The Fifth of July, The Philadelphia Story, The Three Sisters, Twelfth Night, and An Orchard. Additional credits include Cleveland’s Lyric Opera Company, Utah Festival Opera & Musical Theatre, Pioneer Theatre Company, Centerstage Theatre, George Street Playhouse, Yale Repertory Theatre, and premiere productions of why i had to dance, The Tragic Demise of the Whaleship Essex and Swinging on a Star: A Tribute to the Music of Johnny Burke.