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September 9 - October 1, 2023 , Allen Theatre

Thurgood

written by George Stevens, Jr.
directed by Lou Bellamy

Run time: Approx. 2 hours and 10 minutes, including intermission
Advisory: Descriptions of racially charged hate and violence; Racial slurs and profanity. Recommended for ages 14+

The Story of “Mr. Civil Rights.” Armed with the US Constitution, Supreme Court Justice Thurgood Marshall devoted his life to championing justice and equality for all people. This biographical play spans his remarkable 58-year career while highlighting his warmth and sharp wit. A powerful tour-de-force about Marshall’s transformative journey from his early days as a young lawyer upending the landmark “separate but equal” decision to his time serving on the highest court in the nation. Starring film, TV, and regional theatre veteran Lester Purry, Thurgood is an inspiring tribute to a real American hero who embodied courage, integrity, and determination.

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Lester Purry in CPH's production of THURGOOD. Photo by Roger Mastroianni.

Lester Purry in CPH's production of THURGOOD. Photo by Roger Mastroianni.

Lester Purry in CPH's production of THURGOOD. Photo by Roger Mastroianni.

Inside CPH

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Welcome to Inside CPH for Thurgood. Click the icons and verbs below for some ideas on how you can engage more deeply with the themes and ideas of the play beyond the performance.

Special THANKS to our Productions Partners for our 2023-24 Season!

Our partners include:

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Two prominent women in Marshall’s life - his mother and his first wife, Buster, sacrificed treasured personal effects to support causes that were bigger than themselves (the future and education of their child and the NAACP). When was a time someone sacrificed something for you? How did it help you and how did it make you feel?

Justice Thurgood Marshall worked in law for fifty years with the mission of justice and equality for all men regardless of their race. What is a cause or an injustice that lights a fire under your passions? What are ways you’ve begun (or can begin) to pursue a mission toward justice?

Justice Marshall gives credit to his father for teaching him how to argue and debate: “he challenged my logic on every point, even when we were discussing the weather.” Who are the role models in your life that have imparted core qualities of who you are? How have those qualities shaped your life?

discuss

learn learn

Unconscious bias is something we all possess (literally without realizing), and confronting those biases is a process that takes time, focused effort, and self-led education. Challenging how firmly planted structures and ideas exist is a calling we can all undertake - whether that’s within ourselves, around our communities, at our places of work, or in our legal system. Justice Thurgood Marshall, beginning as early as his college years, was able to reinvent the way the law itself worked, ultimately presenting a case that reversed the long held and damaging precedent of “separate but equal” in Brown v. Board of Education.

Confronting our unconscious biases can literally change the world in which we live. In that, there is great power.

Lester Purry, the incredible talent portraying Justice Thurgood Marshall has mentioned a a documentary he watched on Netflix regarding this confrontation of unconscious bias.

The documentary is called Who We Are: A Chronicle of Racism in America, and in it, civil rights lawyer, Jeffery Robinson, illuminates the history of racial legal precedent leading to and during the lifetime of Justice Thurgood Marshall. Robinson addresses a wide range of topics historically, socially, politically, and culturally that contribute to the continued racially-divisive world we live in today. It’s well worth a watch!

learn

This last year has proven to be a fascinating and highly active period for the Supreme Court. If you’d like to follow how the current justices align or differ across current cases, the National Constitution Center has created an actively updating list of Supreme Court decisions.

If you find yourself looking for a more general understanding of how the courts work, check out this great resource by the American Bar Association.

And for those who like to learn on the move, here are a few podcasts about the Supreme Court, some of the more recent socio-political cases to cross the bench, and general constitutional law.

visit visit

visit

“Dear Mom and Dad: I still have so much to learn. Professor Houston says a lawyer who is not a social engineer is a social parasite. I believe that is God’s truth.”

Through numerous organizations, you too can be of service to those whom Justice Marshall sought to protect and offer routes toward restorative justice. Below is a list of organizations that accept volunteers and support of all sorts - utilizing varying talents and skills for stewardship to incarcerated individuals. Some groups are spiritual in nature, some offer educational and tutoring opportunities, and some focus on more socially-minded rehabilitation. Take a look and see if there's an opportunity for you to contribute and make an impact.


If you are a business owner or manage a staff, check out this article about “Chopping for Change” through Lutheran Metropolitan Ministry and see if there’s opportunity for you to make an impact.

Additional information for other non-profit organizations in our community can be found here.

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share share

Public interest attorney and poet, Harbani Ahuja has teamed up with the International Center for Advocates Against Discrimination (ICAAD), a human rights organization, to do something pretty spectacular. Ahuja has created an interactive timeline of historical Supreme Court Decisions and has distilled from the published decisions of the bench a series of poems. In this process of advocacy meeting art, Ahuja recognizes history and reimagines the way it is told through her own artistic lens.

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ID13 Prison Literacy Project has done something similar by creating a platform for inmates to compose their own poetry based on their own perspectives and experiences. Take a look at their work on their site.

With friends or family, find a newspaper, online article, or news post, read it, and let it inform you and inspire you to construct something of your own. It can be a distillation, a personal essay, a poem, a picture - anything that inspires you! How can you reimagine the stories of today and transform them through your own artistic lens?

Share your work online and tag it with #ThurgoodCPH, and see what others create as well.

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experience experience

EXPERIENCE

“My Daddy…was the most insidious of my family of rebels. He taught me how to argue and debate - he challenged my logic on every point, even when we were discussing the weather.”

Looking at an issue from a new angle and being able to interrogate and debate it is an artform - and a heck of a useful one. Whether it’s politics, school work, team leadership, or even the weather, being able to examine a subject in creative ways and then convincingly support your perspective is a terrific skill to hone.

Grab a friend or family member (without fighting) and take opposing sides of an issue and see if you can debate your case. Maybe start out with the hard hitting questions like: “Is a hot dog a sandwich?” “Does pineapple belong on pizza?” Then work your way out to tougher fare.
Choose sides arbitrarily, and then switch.

F. Scott Fitzgerald famously wrote: “The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function.” Are you up to the test?

If that kind of mental agility and elasticity is fun for you, think about checking out speech and debate clubs at your school or in your community. If your school doesn’t have a speech and debate club, check out the free resources supplied by the National Speech & Debate Association for lessons and materials.

experience

Artists

Lester Purry

Lester Purry

(Thurgood Marshall) most recently performed the role J.P. Madison in What I Learned in Paris. He performed the role of August Wilson in his one man show How I Learned What I Learned at The Edinburg Fringe Festival. He has performed in regional theatre across the country including a more(Thurgood Marshall) most recently performed the role J.P. Madison in What I Learned in Paris. He performed the role of August Wilson in his one man show How I Learned What I Learned at The Edinburg Fringe Festival. He has performed in regional theatre across the country including a national tour as Othello in Othello, as Augustus Newcastle in The Darker Face of the Earth, and as Lester Mason in The Big White Fog, all with The Guthrie Theatre. A long time company member with Penumbra Theatre (where August Wilson was discovered), Purry has played the roles of Cory in Fences, Clay in Dutchman, Hambone in Two Trains Running, Lymon in The Piano Lesson (the production that Wilson said was the best he’d ever seen), Hedley in King Hedley II, and Booster in Jitney, to name a few. At Baltimore Center Stage, Purry was Marvell Thunder in Thunder Knocking on the Door, as well as King of the Hill in I Could Stop On a Dime. He played Lymon in The Piano Lesson, Scarus in Antony and Cleopatra, and Mordred in Camelot at the Alabama Shakespeare Festival. Purry performed at Philadelphia Theatre Company as Floyd Barton in Seven Guitars, at Arizona Theatre Company as Wolf in Two Trains Running, and at Portland Playhouse as Troy Maxson in Fences. He has also performed at Palm Beach Dramaworks and Los Angeles Performing Arts Center. He also played the role of Aslan in The Lion, the Witch and the Wardrobe at Children’s Theatre Company. He performed the role of Charles Grace in Fireflies at South Coast Repertory Theatre and as Thurgood Marshall in Thurgood at Geva Theatre Center, Portland Playhouse and Penumbra Theatre.

Greg White

Greg White

(U/S Thurgood Marshall) is no stranger to the Cleveland area. Performing in several theatres for fifteen years: Karamu House, Dobama Theatre, Ensemble Theatre, the Beck Center, and Cleveland Public Theatre. For the past three summers, Greg has portrayed the characters of Carl B. Stokes and Jessie Owens for the more(U/S Thurgood Marshall) is no stranger to the Cleveland area. Performing in several theatres for fifteen years: Karamu House, Dobama Theatre, Ensemble Theatre, the Beck Center, and Cleveland Public Theatre. For the past three summers, Greg has portrayed the characters of Carl B. Stokes and Jessie Owens for the Historical Gateway Corporation’s Take-A-Hike program, a tour through Cleveland to hear the story of these historical figures. Seen at Dobama as Kenyetta in Dominique Morriseau’s Sunset Baby, and several plays at Ensemble including Voodoo Macbeth (Banquo), Death of a Salesman (Will Loman), and Water by the Spoonful. Greg also directed Slow Dance on the Killing Ground. In 2018, he was recognized as Best Actor in Scene Magazine for his performance in Thurgood and for Superior Achievement by the Cleveland Critics Circle for his performance of Chris Christopherson in Eugene O’Neill’s Anna Christy.

George Stevens, Jr.

(Playwright) George Stevens, Jr’s interest in Thurgood Marshall began with a miniseries he wrote and directed, Separate But Equal, the story of the Brown vs. Board of Education school desegregation case on which Marshall was the lawyer for the NAACP Legal Defense Fund. Thurgood is his first play. Stevens more(Playwright) George Stevens, Jr’s interest in Thurgood Marshall began with a miniseries he wrote and directed, Separate But Equal, the story of the Brown vs. Board of Education school desegregation case on which Marshall was the lawyer for the NAACP Legal Defense Fund. Thurgood is his first play. Stevens is the founder of the American Film Institute and a writer, director, and producer. Motion pictures: The Thin Red Line; George Stevens: A Filmmaker’s Journey; John F. Kennedy: Years of Lightning, Day of Drums; The Diary of Anne Frank. Television: Separate But Equal (Sidney Poitier, Burt Lancaster), The Murder of Mary Phagan (Jack Lemmon, Peter Gallagher, Kevin Spacey), The Kennedy Center Honors (1978 – 2007), The American Film Institute Life Achievement Awards (1973 – 1998), America’s Millennium, D-Day to Berlin. Alfred A. Knopf recently published his book, Conversations With the Great Moviemakers of Hollywood’s Golden Age. Awards include eight awards from the Writers Guild of America, two George Foster Peabody Awards, and two Emmys.

Lou Bellamy

Lou Bellamy

(Director) is the founder and artistic director emeritus of Penumbra Theatre. During his forty-three year tenure, Penumbra evolved into one of America’s premier theaters dedicated to dramatic exploration of the African American experience. Under his leadership, Penumbra grew to be the largest theater of its kind in America and more(Director) is the founder and artistic director emeritus of Penumbra Theatre. During his forty-three year tenure, Penumbra evolved into one of America’s premier theaters dedicated to dramatic exploration of the African American experience. Under his leadership, Penumbra grew to be the largest theater of its kind in America and has produced over 40 world premieres, including August Wilson’s first professional production. Bellamy and Penumbra are proud to have produced more of Mr. Wilson’s plays than any theater in the world. Bellamy is an OBIE Award-winning director, an accomplished actor, and for 38 years was appointed as an Associate Professor at the University of Minnesota in the Department of Theatre Arts and Dance. Mr. Bellamy most recently directed Penumbra’s production of What I Learned in Paris. Directing credits outside of Penumbra include plays at Cleveland Playhouse, Indiana Repertory Theatre, Oregon Shakespeare Festival, South Coast Repertory, Arizona Theatre Company, Denver Center for the Performing Arts, Signature Theatre, Guthrie Theater, Kennedy Center for Performing Arts, Geva Theatre, Kansas City Repertory, Ensemble Theatre, Minneapolis Childrens’ Theatre, Gem Theater, Round House, Portland Playhouse, Logan Festival of Solo, and Hartford Stage.

Vicki Smith

(Scenic Designer) CLEVELAND PLAY HOUSE: Steel Magnolias, Radio Golf, Raisin in the Sun, Dream a Little Dream, Dinner Party, Dirty Blond, Guardsman, Emancipation of Valet de Chambre, Picasso at the Lapin Agile, Russian Romance, Dracula, Diary of Ann Frank, Oleanna, African Company Presents Richard III. REGIONAL THEATRES: more(Scenic Designer) CLEVELAND PLAY HOUSE: Steel Magnolias, Radio Golf, Raisin in the Sun, Dream a Little Dream, Dinner Party, Dirty Blond, Guardsman, Emancipation of Valet de Chambre, Picasso at the Lapin Agile, Russian Romance, Dracula, Diary of Ann Frank, Oleanna, African Company Presents Richard III. REGIONAL THEATRES: Children’s Theatre Company - Minneapolis, South Coast Repertory Theatre, Penumbra Theatre Company, Denver Center Theatre Company, Geva Theatre Center, Arizona Theatre Company, Indiana Repertory Theatre, Guthrie Theatre, Oregon Shakespeare Festival, Vigszinhas and Nemseti Szinhas (Hungary), Seattle Repertory Theatre and others AWARDS: Times Newspaper’s Theatre Tribute – Raisin in the Sun; Bay Area Critics Award – Kite Runner, Execution of Justice; Dramalogue Award – Cyrano; Colorado Theatre Guild Henry Awards – Mariela in the Desert, Plainsong, Pierre; I’m Not Rapaport; Prague Quadrennial Design Exposition 2007. MUSEUM EXHIBITIONS: “Penumbra Theatre at 40” – Minnesota Historical Center; “The Role of Scale Models in Theatre Set Design” – Mini Time Machine Museum of Miniatures, Tucson. WEBSITE: vickismithsetdesign.com

Don Darnutzer

(Lighting Designer) has designed 15 shows for Cleveland including Dream A Little Dream, Touch the Names and Radio Golf. Broadway: It Ain’t Nothin’ But The Blues; Off-Broadway: Hank Williams: Lost Highway; The Immigrant; Almost Heaven: John Denver’s America. He has designed lighting for: Guthrie Theatre, The Denver more(Lighting Designer) has designed 15 shows for Cleveland including Dream A Little Dream, Touch the Names and Radio Golf. Broadway: It Ain’t Nothin’ But The Blues; Off-Broadway: Hank Williams: Lost Highway; The Immigrant; Almost Heaven: John Denver’s America. He has designed lighting for: Guthrie Theatre, The Denver Center Theater Company, Arizona Theatre Company, Oregon Shakespeare Festival, Seattle Repertory Theatre, Cincinnati Playhouse in the Park, The Shakespeare Theatre, American Conservatory Theatre, Actors Theatre of Louisville, The Alley Theater, Kennedy Center for the Performing Arts, Indiana Repertory Theatre, The Arena Stage, Milwaukee Repertory Theater, The Old Globe Theater, The Alley Theater, Geffen Playhouse, Alabama Shakespeare Festival, Children’s Theatre Company of Minneapolis, Mark Taper Forum, Geva Theatre, Florida Grand Opera, Palm Beach Opera, Portland Opera, New Orleans Opera, Florentine Opera, Israeli Opera, Chautauqua Opera, Central City Opera, San Antonio Festival, Atlanta Opera.

Justin Ellington

(Sound Designer) Cleveland Playhouse debut. Broadway: The Cottage, Ohio State Murders, Topdog/Underdog, For Colored Girls Who Have Considered Suicide When The Rainbow Was Enuff , Clyde's, Pass Over, Other Desert Cities. Off Broadway: Hamlet (Shakespeare In The Park); Heroes Of The Fourth Turning, Corsicana (Playwrights Horizons). Pipeline, (Lincoln Center); more(Sound Designer) Cleveland Playhouse debut. Broadway: The Cottage, Ohio State Murders, Topdog/Underdog, For Colored Girls Who Have Considered Suicide When The Rainbow Was Enuff , Clyde's, Pass Over, Other Desert Cities. Off Broadway: Hamlet (Shakespeare In The Park); Heroes Of The Fourth Turning, Corsicana (Playwrights Horizons). Pipeline, (Lincoln Center); Mrs. Murray’s Menagerie (ArsNova); Merchant Of Venice (TFANA). Additional credits include: Father Comes Home From The Wars (Parts 1, 2, &3), Until The Flood (Goodman Theater),Jitney, King Hedley (Alliance Theater); The American Clock (The Old Vic), As You Like It (Stratford Shakespeare Festival), Comedy Of Errors (Oregon Shakespeare Festival).

Rasean Davonté Johnson

(Projections Designer) is delighted to be working with Cleveland Play House. A Columbus native, has had the opportunity to locally work with institutions such as Shadowbox Live and The Ohio State University. His regional work includes projects with Steppenwolf Theatre Company, Goodman Theatre, Lookingglass Theatre Company, Chicago Shakespeare Theatre, more(Projections Designer) is delighted to be working with Cleveland Play House. A Columbus native, has had the opportunity to locally work with institutions such as Shadowbox Live and The Ohio State University. His regional work includes projects with Steppenwolf Theatre Company, Goodman Theatre, Lookingglass Theatre Company, Chicago Shakespeare Theatre, South Chicago Dance Company, Chicago Opera Theatre, Toledo Opera, Cleveland Playhouse, Indiana Rep, The Public Theatre, Yale Repertory Theatre, Hartford Stage, McCarter Theatre Center, Long Wharf Theatre, Oregon Shakespeare Festival, Portland Opera, Manual Cinema, and internationally with the Edinburgh Fringe Festival (Scotland), B-Floor Theatre (Thailand), and the Ningbo Song and Dance Company (China). Additionally his installation work has been seen at the Yale Art Gallery, The Bay Street Theatre, The Bridgeport Film Festival, the Logan Center for the Arts, and the Columbus International Film Festival. BA The Ohio State University, MFA Yale School of Drama. raseandavontejohnson.com.

David Levine

(Stage Manager) is a lifelong Oregonian who last was in Ohio in 1991 as the PR director for the Columbus Horizon basketball team of the now-defunct CBA. Recent stage management credits in Portland include: In the Name of Forgotten Women at CoHo Productions; The Evolve Experience with The Red more(Stage Manager) is a lifelong Oregonian who last was in Ohio in 1991 as the PR director for the Columbus Horizon basketball team of the now-defunct CBA. Recent stage management credits in Portland include: In the Name of Forgotten Women at CoHo Productions; The Evolve Experience with The Red Door Project; and Thurgood, What I Learned in Paris, and Great Wide Open at Portland Playhouse.

Timothy Toothman

(Stage Manager) is pleased to rejoin Lou Bellamy and Lester Purry in Thurgood, which they originally created at Geva Theatre Center in Rochester, New York in the Fall of 2018. A member of Actors’ Equity Association since 1974, Mr. Toothman recently retired after 15 years as a Company Stage more(Stage Manager) is pleased to rejoin Lou Bellamy and Lester Purry in Thurgood, which they originally created at Geva Theatre Center in Rochester, New York in the Fall of 2018. A member of Actors’ Equity Association since 1974, Mr. Toothman recently retired after 15 years as a Company Stage Manager and Artistic Associate to the Artistic Director at Arizona Theatre Company in Tucson and Phoenix. He has stage managed at numerous regional theatres including Geva Theatre Center, Kansas City Repertory Theatre, and San Jose Repertory Theatre. He spent five years managing a national touring theatre company of deaf and hearing actors, and seven years as a Program Director and Grants Funding Officer for performing arts programs and organizations for the Maryland State Arts Council and the Connecticut Commission on the Arts.

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