Michael Boll

(Lighting Designer) is a Cleveland-based Lighting Designer. His Cleveland Play House designs include Where Did We Sit on the Bus?, Pipeline, Native Gardens, An Iliad, The Invisible Hand, The Good Peaches, The Little Foxes, Venus in Fur, Every Good Boy Deserves Favor, In the Next Room or the more(Lighting Designer) is a Cleveland-based Lighting Designer. His Cleveland Play House designs include Where Did We Sit on the Bus?, Pipeline, Native Gardens, An Iliad, The Invisible Hand, The Good Peaches, The Little Foxes, Venus in Fur, Every Good Boy Deserves Favor, In the Next Room or the vibrator play, and Stew and the Negro Problem. Productions with the CWRU/CPH MFA Acting Program include Macbeth, Metamorphoses, The Winter's Tale, An Orchard, and Angels in America: Millennium Approaches. Other Cleveland lighting design work includes Cleveland Public Theatre, Karamu House, Cain Park, Cleveland Museum of Art, Dobama Theatre and Beck Center for the Arts. Off-Broadway credits include The Moliere Cycle (Classic Stage Company), Songs for a New World (George Street Playhouse), Dog Sees God (SoHo Playhouse) and The Moonlight Room (Associate Lighting Designer, Beckett Theatre). His work has also been seen at the N.Y. Fringe Festival, La MaMa E.T.C., HERE Arts Center, and Yale Cabaret.

Kyra Button

(Production Assistant) is excited to be returning to Cleveland Play House for her sixth season. At CPH, she has worked on Antigone, Where Did We Sit On The Bus?, Tiny Houses, Into The Breeches, and Pipeline, to name a few. Her previous credits also include ABCD (Barrington Stage Company), more(Production Assistant) is excited to be returning to Cleveland Play House for her sixth season. At CPH, she has worked on Antigone, Where Did We Sit On The Bus?, Tiny Houses, Into The Breeches, and Pipeline, to name a few. Her previous credits also include ABCD (Barrington Stage Company), Dreamgirls (Virginia Stage Company), Hurricane Diane (Dobama Theatre), Baby Camp (Leviathan Labs), Resistance (Semicolon Theatre), The Heart’s Impatience (Shufflefoot Theatre Company), A Streetcar Named Desire (St. Ann’s Warehouse), Medea and Dreamgirls (Red House Arts Center), This Day Forward (The Vineyard Theatre), and The Intergenerational Project (Rose Bruford, London). Kyra is proud to hold a BFA in Stage Management from Syracuse University’s Department of Drama and is overjoyed to be working on this production.

John Godbout

(Stage Manager) was Cleveland Play House's resident stage manager from 2001 to 2008 and returned to CPH in the fall of 2011. "Most recently, John stage managed A New Brain at Barrington Stage Company. John has also stage managed at North Shore Music Theatre, Capital Repertory Theatre, The more(Stage Manager) was Cleveland Play House's resident stage manager from 2001 to 2008 and returned to CPH in the fall of 2011. "Most recently, John stage managed A New Brain at Barrington Stage Company. John has also stage managed at North Shore Music Theatre, Capital Repertory Theatre, The Weston Playhouse, Berkshire Theatre Festival, Arkansas Repertory Theatre, Northern Stage, Seaside Music Theatre, and Porthouse Theatre.

Alyssa Henkelman

Tom Humes

(Assistant Stage Manager) serves as an Assistant Professor for the School of Theatre and Dance at Kent State University, where he teaches courses in Stage Management, Production Management, Theatre Management, and an intro course to computing software for the theatre practitioner. Tom has been a part of the more(Assistant Stage Manager) serves as an Assistant Professor for the School of Theatre and Dance at Kent State University, where he teaches courses in Stage Management, Production Management, Theatre Management, and an intro course to computing software for the theatre practitioner. Tom has been a part of the stage management teams with: Porthouse Theatre, Cain Park, Cleveland Play House, McCarter Theatre Center, Dobama Theatre, Beck Center for the Arts, Karamu House, Cleveland Orchestra and Opera Cleveland. He has been an assistant production manager, events production manager, and senior production manager/assistant to the general manager at Cain Park. He is also a member of the I.A.T.S.E. Tom is twice published, with a recent book review of Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach featured in Theatre Topics and he contributed to the book, Off Headset: Essays on Stage Management Work, Life, and Career with his essay, “Maximum Flexibility”.

David Kay Mickelsen

(Costume Designer) returns for his 23rd production at Cleveland Play House, having recently designed costumes for The Diary of Anne Frank; All the Way; A Christmas Story; Bell, Book and Candle; and In the Next Room, or the vibrator play. He has designed more than 400 productions at regional more(Costume Designer) returns for his 23rd production at Cleveland Play House, having recently designed costumes for The Diary of Anne Frank; All the Way; A Christmas Story; Bell, Book and Candle; and In the Next Room, or the vibrator play. He has designed more than 400 productions at regional theatres across the country including Guthrie Theater, Denver Center for the Performing Arts, Arizona Theatre Company, Geffen Playhouse, Berkeley Repertory Theatre, Ford’s Theatre, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Williamstown Theatre Festival, The Children’s Theatre Company of Minneapolis; Seattle, Tennessee, Missouri, San Diego, and New Mexico Repertory Theatres, Sundance Theatre Festival; Oregon, Utah, Colorado, and Illinois Shakespeare Festivals. Originally from Canby, Oregon; David now makes his home in Long Beach, California. David is the Vice Chairman of The Western Region of United Scenic Artists 829.

Robert Mark Morgan

(Scenic Designer) designed Into the Breeches!, Sweat, The Diary of Anne Frank, All the Way, A Christmas Story, The Whipping Man, The Glass Menagerie, Emma, and Bill W. and Dr. Bob for Cleveland Play House. Other credits include Wizard of Oz, Fiddler on the Roof, Les Misérables, West Side more(Scenic Designer) designed Into the Breeches!, Sweat, The Diary of Anne Frank, All the Way, A Christmas Story, The Whipping Man, The Glass Menagerie, Emma, and Bill W. and Dr. Bob for Cleveland Play House. Other credits include Wizard of Oz, Fiddler on the Roof, Les Misérables, West Side Story, Billy Elliot, and Seussical The Musical (The Muny in St. Louis); exhibit designer for Avatar the Exhibition (Experience Music Project in Seattle); Fallen Angels (Asolo Repertory Theatre); Joshua's Boots (Opera Theatre of St. Louis and Amarillo Opera); The Rainmaker, A Moon for the Misbegotten (2007 Prague Design Quadrennial); The Dazzle (A.C.T. San Francisco); The Giver, The Diary of Anne Frank, Jesus Hates Me, and House of the Spirits (Denver Center for the Performing Arts); Saint Joan, Jekyll & Hyde, Ordinary Nation, Rabbit Hole, Fall of Heaven, and 4000 Miles (Repertory Theatre of St. Louis); The Subject Tonight is Love (Alliance Theatre Company); Just Stopped by to See the Man and The Whipping Man (The Old Globe); and numerous Utah Shakespeare Festival productions in the 2012/13 season. Robert is a Teaching Professor at Washington University in St. Louis and Director of the Beyond Boundaries Program in interdisciplinary education. morgansetdesign.com

James C. Swonger

(Sound Designer) has designed sound for many Cleveland Play House productions including The Good Peaches (world premiere), Vanya and Sonia and Masha and Spike, Breath and Imagination, Good People, The Devil’s Music: The Life and Blues of Bessie Smith, Bell, Book and Candle, The Game’s Afoot (world premiere), Bill more(Sound Designer) has designed sound for many Cleveland Play House productions including The Good Peaches (world premiere), Vanya and Sonia and Masha and Spike, Breath and Imagination, Good People, The Devil’s Music: The Life and Blues of Bessie Smith, Bell, Book and Candle, The Game’s Afoot (world premiere), Bill W. and Dr. Bob, Heaven’s My Destination (world premiere), Noises Off!, Gee’s Bend, and I Am My Own Wife. CWRU/CPH MFA Acting Program credits include The Fifth of July, The Philadelphia Story, The Three Sisters, Twelfth Night, and An Orchard. Additional credits include Cleveland’s Lyric Opera Company, Utah Festival Opera & Musical Theatre, Pioneer Theatre Company, Centerstage Theatre, George Street Playhouse, Yale Repertory Theatre, and premiere productions of why i had to dance, The Tragic Demise of the Whaleship Essex and Swinging on a Star: A Tribute to the Music of Johnny Burke.