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September 12 - October 5, 2014 , Allen Theatre

The Little Foxes

Written by Lillian Hellman
Directed by Laura Kepley

Run time: Acts I & II: 1 hour, 20 minutes Intermission: 15 minutes Act III: 40 minutes Total: 2hr 15min
Advisory: Recommended for ages 12+. Play contains innuendo and the use of derogatory language, including racial slurs.

When the Hubbard siblings have the chance to strike it rich, not even the ties of blood or marriage are safe from their cold calculations and elaborate schemes. Artistic Director Laura Kepley launches CPH’s 99th season with Lillian Hellman’s delicious drama of ambition and greed in the Deep South that warns us to keep our friends close—and our relatives closer.

Artists

Heather Anderson Boll

Heather Anderson Boll

(Birdie Hubbard) last appeared at Cleveland Play House in Joe for New Ground Festival and Bill W. and Dr. Bob. New York and Regional credits includeBetween Us at Manhattan Theatre Club; Miss Julie at Two River Theatre Company; 36 Views at Huntington Theatre Company;Strike-Slip at Humana Festival / more(Birdie Hubbard) last appeared at Cleveland Play House in Joe for New Ground Festival and Bill W. and Dr. Bob. New York and Regional credits includeBetween Us at Manhattan Theatre Club; Miss Julie at Two River Theatre Company; 36 Views at Huntington Theatre Company;Strike-Slip at Humana Festival / ATL. Recent Cleveland work includes Time Stands Still (Superior Achievement Best Actress 2013); Grizzly Mama, world premiere by George Brant / directed by Laura Kepley at Dobama Theatre; Iphegenia 2.0 (Critics Pick Best Actress 2012); and My Barking Dog (Best Actress 2011) at Cleveland Public Theatre. Ms. Anderson Boll earned her Master of Fine Arts in Acting at Yale School of Drama (Oliver Thorndike Acting Award). She is a Certified Associate Teacher of Fitzmaurice Voicework© and currently Assistant Professor of Acting and Voice at Oberlin College.

Nick Barbato

Nick Barbato

(Leo Hubbard) Nick Barbato has appeared at The Cleveland Play House in The Little Foxes, The Crucible, and as an understudy in A Christmas Story. His CWRU/CPH MFA Acting Program credits include The Two Gentlemen of Verona, The Philadelphia Story, The Three Sisters and Too True to Be Good. more(Leo Hubbard) Nick Barbato has appeared at The Cleveland Play House in The Little Foxes, The Crucible, and as an understudy in A Christmas Story. His CWRU/CPH MFA Acting Program credits include The Two Gentlemen of Verona, The Philadelphia Story, The Three Sisters and Too True to Be Good. Other credits include: Violins of Hope in collaboration with The Cleveland Orchestra, The Upright Citizens Brigade (NYC), The Ohio Shakespeare Festival, and many commercials and industrial films. He is originally from Syracuse, NY where he received his Bachelor's Degree at Le Moyne College.

Robert Ellis

Robert Ellis

(Mr. Marshall) returns to Cleveland Play House where he has also appeared in Galileo, A Soldier’ Tale, A Carol For Cleveland, and The Little Foxes. Other Northeast Ohio credits include Peter and the Starcatcher; The Norwegians; and Circle, Mirror, Transformation (Dobama Theatre); Of Mice and Men and Dog more(Mr. Marshall) returns to Cleveland Play House where he has also appeared in Galileo, A Soldier’ Tale, A Carol For Cleveland, and The Little Foxes. Other Northeast Ohio credits include Peter and the Starcatcher; The Norwegians; and Circle, Mirror, Transformation (Dobama Theatre); Of Mice and Men and Dog Eat Dog (Ensemble Theatre); The Foreigner, Annie Get Your Gun, and The Art of Dining (Porthouse Theatre); and appearances at Cleveland Public Theatre, None Too Fragile, and The Beck Center. Regional credits include Oldcastle Theatre Company in Vermont and The Hippodrome State Theatre in Florida. A proud member of AEA and SAG-AFTRA, Bob has extensive commercial and film credits including; Proximity, Telling Lies in America, Dreaming on Christmas, Mad Town and the upcoming The Last Summer. Ellis is a founding member of Something Dada and Cabaret Dada Improvisational Theatre. For the last 23 years, he has been a Professor of Theatre and Speech at Cuyahoga Community College.

Cameron Folmar

Cameron Folmar

(Ben Hubbard) is returning to Cleveland Play House after his performance in this season’s The Little Foxes. He's happy to be working with Stephen Wadsworth again, after teaming up with him for The Figaro Plays last year at McCarter Theatre. With the Shakespeare Theatre Company in Washington D.C., more(Ben Hubbard) is returning to Cleveland Play House after his performance in this season’s The Little Foxes. He's happy to be working with Stephen Wadsworth again, after teaming up with him for The Figaro Plays last year at McCarter Theatre. With the Shakespeare Theatre Company in Washington D.C., Cameron is an Affiliated Artist and has appeared in Measure for Measure, All’s Well That Ends Well, An Ideal Husband, Hamlet, Timon of Athens, A Midsummer Night’s Dream and King Lear. New York credits include The 39 Steps on Broadway. Off-Broadway credits include The 39 Steps, Volpone, The Merchant of Venice, The Jew of Malta, Five by Tenn and Waiting for Godot. Regional credits include The Habit of Art, Studio Theatre; Five by Tenn, John F. Kennedy Center for the Performing Arts; The Winter’s Tale and Twelfth Night, Shakespeare Santa Cruz; Don Juan, Seattle Repertory Theatre; Scapin, Denver Center for the Performing Arts; The Tempest, McCarter Theatre Center; and The Mousetrap, Studio Arena Theatre. Television credits include Law & Order: Criminal Intent and Conviction. Cameron is also credited as the voice of Genn Graymane in World of Warcraft: Cataclysm.

Lillian Hellman

(Playwright/ 1905-1984) was raised in New Orleans and New York City. At age 29, she wrote her first play, The Children’s Hour, which was an instant Broadway and critical success. Hellman became a leading voice in American theatre and wrote numerous plays including: The Little Foxes; Toys in the more(Playwright/ 1905-1984) was raised in New Orleans and New York City. At age 29, she wrote her first play, The Children’s Hour, which was an instant Broadway and critical success. Hellman became a leading voice in American theatre and wrote numerous plays including: The Little Foxes; Toys in the Attic; Watch on the Rhine; and Another Part of the Forest, a prequel to The Little Foxes. She also authored screenplays, including an adaptation of The Little Foxes starring Bette Davis that was nominated for nine Academy Awards. A life-long political activist, Hellman frequently used her writing for social and political commentary and was eventually blacklisted in the 1950s. Hellman spent the remainder of her life teaching and working on her memoirs, An Unfinished Woman, Pentimento: A Book of Portraits, and Scoundrel Time. Known for her outspokenness and controversial topics, Hellman was the recipient of The National Institute of Arts and Letters’ Gold Medal for Drama, the MacDowell Medal, the National Book Award, and two New York Drama Critics Circle Awards. Hellman died in 1984, but her legacy lives on. In 2010, the Lilly Awards, named for Hellman, were founded to honor the work of women in theatre.

Megan King

Megan King

(Alexandra Giddens) was most recently seen on Cleveland Play House's stage in Luna Gale as Karlie Quinn. Other CPH credits include: The Little Foxes, The Crucible and an understudy for A Christmas Story. She is proud to be a recent graduate of the CWRU/CPH MFA Acting Program's class of more(Alexandra Giddens) was most recently seen on Cleveland Play House's stage in Luna Gale as Karlie Quinn. Other CPH credits include: The Little Foxes, The Crucible and an understudy for A Christmas Story. She is proud to be a recent graduate of the CWRU/CPH MFA Acting Program's class of 2016 and her credits from the program include: The Philadelphia Story, The Three Sisters, Too True to Be Good and Two Gentlemen of Verona. Undergraduate credits include: Dromnium, a devised movement piece, which won seven national awards from The John F. Kennedy Center for the Performing Arts, as well as God of Carnage and The Three Sisters. Megan is a class of 2013 graduate from the University of Arkansas at Fort Smith with her B.A. in Theatre Performance. She also holds an Associates of Fine Arts Degree from Arkansas State University Beebe.

Maggie Lacey

Maggie Lacey

(Regina Giddens) is a Fox Fellow at the Cleveland Play House, where she last appeared in A Christmas Story. Broadway credits include Our Town, Inherit the Wind and Tony-nominated Dividing the Estate. Off-Broadway credits includeThe Orphans’ Home Cycle, Signature Theatre; The Milktrain Doesn’t Stop Here Anymore, Roundabout Theatre Company; more(Regina Giddens) is a Fox Fellow at the Cleveland Play House, where she last appeared in A Christmas Story. Broadway credits include Our Town, Inherit the Wind and Tony-nominated Dividing the Estate. Off-Broadway credits includeThe Orphans’ Home Cycle, Signature Theatre; The Milktrain Doesn’t Stop Here Anymore, Roundabout Theatre Company; and Big Times, Women’s Expressive Theater, which she co-wrote. She recently appeared in The Marriage of Figaro,McCarter Theatre. Other regional credits include Hartford Stage, Long Wharf Theatre, Seattle Repertory Theatre, and Arena Stage. Film and television includes The Life Before Her Eyes, Our Town, Satisfaction, Elementary, and The Good Wife. Ms. Lacey holds an MFA from NYU and is a recipient of a Fox Fellowship Grant for Extraordinary Potential. She and CPH are participants in the Fox Foundation Resident Actor Fellowships, funded by the William and Eva Fox Foundation and administered by Theatre Communications Group.

Jerry Richardson

Jerry Richardson

(Oscar Hubbard) is happily making his CPH debut with The Little Foxes. Recent productions include Pride & Prejudice, The Winter’s Tale, This Wonderful Life (a one-man adaptation) and Of Mice and Men, People’s Light & Theatre Company; Stones in His Pockets, The Zephyr Theatre;Anniversary, Ensemble Studio Theatre; FUBAR, 59E59 more(Oscar Hubbard) is happily making his CPH debut with The Little Foxes. Recent productions include Pride & Prejudice, The Winter’s Tale, This Wonderful Life (a one-man adaptation) and Of Mice and Men, People’s Light & Theatre Company; Stones in His Pockets, The Zephyr Theatre;Anniversary, Ensemble Studio Theatre; FUBAR, 59E59 Theaters, Christmas Carol and This Wonderful Life, Indiana Repertory Theatre; Midsummer Night’s Dream, Vermont Shakespeare Company; Hay Fever, Cape Cod Playhouse;Sweet Bird of Youth, The Shakespeare Theatre; As You Like It, The Folger Theatre, Love’s Labor’s Lost, Henry IV Part I, andMidsummer Night’s Dream, The American Shakespeare Center;The Woman in Black, Unexpected Guest, The Mousetrap andDracula, The Fulton Theatre; and the National Tour of Scooby Doo. Film and television appearances include The Producers,Gigantic, Law & Order: Criminal Intent, Guiding Light, Homicideand The Miraculous Year (HBO pilot).

Kim Sullivan

Kim Sullivan

(Cal) is happy to return to Cleveland Play House after previously appearing in Ma Rainey’s Black Bottom and The Piano Lesson. Mr. Sullivan was most recently seen in The American Stage's August Wilson Cycle, which included The Piano Lesson, Ma Rainey's Black Bottom, Fences, King Hedley the Second, Gem more(Cal) is happy to return to Cleveland Play House after previously appearing in Ma Rainey’s Black Bottom and The Piano Lesson. Mr. Sullivan was most recently seen in The American Stage's August Wilson Cycle, which included The Piano Lesson, Ma Rainey's Black Bottom, Fences, King Hedley the Second, Gem of the Ocean, Two Kings and Seven Guitars. Other credits include You Can't Take it With You, Geva Theatre Center; The Flea and the Professor, Arden Theater; The Merry Wives of Windsor, Brave New World Theater Company; King Lear and Dream on Monkey Mountain (2004 Audelco Award, Best Supporting Actor), Classical Theatre of Harlem; The Clean House, Milwaukee Repertory Theater; The Crucible, Syracuse Stage; Raisin in the Sun, Capital Repertory Theatre; Much Ado About Nothing, Long Wharf Theatre; Hamlet, New Perspectives Theatre and The Hudson Guild; The Tempest, North Carolina Shakespeare Festival; Major Barbara, Repertory Theatre of St. Louis; and Purlie, St. Louis Black Repertory Company. TV Credits include One Life to Live, Law and Order: Trial by Juryand One Hundred Center Street.

Sherrie Tolliver

Sherrie Tolliver

(Addie) has appeared at Cleveland Play House in last season’s reading of Beneatha’s Place in conjunction with CPH’s Behind-the-Scenes series. She has performed at Karamu House, Cleveland Public Theatre, and the Jewish Community Center of Cleveland Halle Theatre. She has performed nationally with the group Women in History, and more(Addie) has appeared at Cleveland Play House in last season’s reading of Beneatha’s Place in conjunction with CPH’s Behind-the-Scenes series. She has performed at Karamu House, Cleveland Public Theatre, and the Jewish Community Center of Cleveland Halle Theatre. She has performed nationally with the group Women in History, and internationally as a stand-up comedian. Tolliver holds a Bachelor of Fine Arts in Acting from New York University’s Tisch School of the Arts.

Michael Boll

(Lighting Designer) is a Cleveland-based Lighting Designer. His Cleveland Play House designs include Where Did We Sit on the Bus?, Pipeline, Native Gardens, An Iliad, The Invisible Hand, The Good Peaches, The Little Foxes, Venus in Fur, Every Good Boy Deserves Favor, In the Next Room or the more(Lighting Designer) is a Cleveland-based Lighting Designer. His Cleveland Play House designs include Where Did We Sit on the Bus?, Pipeline, Native Gardens, An Iliad, The Invisible Hand, The Good Peaches, The Little Foxes, Venus in Fur, Every Good Boy Deserves Favor, In the Next Room or the vibrator play, and Stew and the Negro Problem. Productions with the CWRU/CPH MFA Acting Program include Macbeth, Metamorphoses, The Winter's Tale, An Orchard, and Angels in America: Millennium Approaches. Other Cleveland lighting design work includes Cleveland Public Theatre, Karamu House, Cain Park, Cleveland Museum of Art, Dobama Theatre and Beck Center for the Arts. Off-Broadway credits include The Moliere Cycle (Classic Stage Company), Songs for a New World (George Street Playhouse), Dog Sees God (SoHo Playhouse) and The Moonlight Room (Associate Lighting Designer, Beckett Theatre). His work has also been seen at the N.Y. Fringe Festival, La MaMa E.T.C., HERE Arts Center, and Yale Cabaret.

Donald Carrier

Donald Carrier

(Horace Giddens) most recently directed The Liar for the MFA Program, Othello at Texas Shakespeare Festival, Ellis Island: The Dream of America for The Cleveland Orchestra and Doubt for the Beck Center. For the CWRU/CPH MFA Acting Program, he has also directed Passage, Fifth of July, Clybourne Park, The more(Horace Giddens) most recently directed The Liar for the MFA Program, Othello at Texas Shakespeare Festival, Ellis Island: The Dream of America for The Cleveland Orchestra and Doubt for the Beck Center. For the CWRU/CPH MFA Acting Program, he has also directed Passage, Fifth of July, Clybourne Park, The Misanthrope, Too True to Be Good, and The Violins of Hope. Other directing includes Who’s Afraid of Virginia Woolf?, Seminar, and Really Really (Beck Center for the Arts); and Becky Shaw (Dobama Theatre). Other selected directing credits include The Crucible, The Two Gentlemen of Verona, Twelfth Night, As You Like It, Habeas Corpus, The Pirates of Penzance, and Oh! What a Lovely War. He has appeared at Cleveland Play House in Shakespeare in Love; All the Way; Luna Gale; The Crucible; The Little Foxes; Yentl; In the Next Room, or the vibrator play; Ten Chimneys; Noises Off; and Lincolnesque. Regional credits include The National Arts Center, Notre Dame Shakespeare Festival, Great Lakes Theater, The Studio Theatre, The Shakespeare Theatre, The Wilma Theater, The Huntington Theatre, The Intiman Theatre, and Chicago Shakespeare Theater. He spent nine seasons at the Stratford Festival, three seasons at the Old Globe, and two seasons at the Shaw Festival. Television/Film: Guns, The Time Traveler’s Wife, The Passion of Ayn Rand, and Dead by Monday. Don is a proud Lunt/Fontanne Fellow and is the Director of CWRU/CPH MFA Acting Program.

Tom Humes

(Stage Manager ) serves as an Assistant Professor for the School of Theatre and Dance at Kent State University, where he teaches courses in Stage Management, Production Management, Theatre Management, and an intro course to computing software for the theatre practitioner. Tom has been a part of the more(Stage Manager ) serves as an Assistant Professor for the School of Theatre and Dance at Kent State University, where he teaches courses in Stage Management, Production Management, Theatre Management, and an intro course to computing software for the theatre practitioner. Tom has been a part of the stage management teams with: Porthouse Theatre, Cain Park, Cleveland Play House, McCarter Theatre Center, Dobama Theatre, Beck Center for the Arts, Karamu House, Cleveland Orchestra and Opera Cleveland. He has been an assistant production manager, events production manager, and senior production manager/assistant to the general manager at Cain Park. He is also a member of the I.A.T.S.E. Tom is twice published, with a recent book review of Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach featured in Theatre Topics and he contributed to the book, Off Headset: Essays on Stage Management Work, Life, and Career with his essay, “Maximum Flexibility”.

Thom Jones

(Voice and Speech Director) is the head of Voice and Speech for Brown University/Trinity Repertory Company's Master of Fine Arts in Acting and Directing and has coached voice, dialects, and text extensively in theatre, film, and television. Theatres where he has coached include: The Public Theater, Shakespeare in more(Voice and Speech Director) is the head of Voice and Speech for Brown University/Trinity Repertory Company's Master of Fine Arts in Acting and Directing and has coached voice, dialects, and text extensively in theatre, film, and television. Theatres where he has coached include: The Public Theater, Shakespeare in the Park, Noel Coward Theatre (London’s West End), Yale Repertory Company, Dallas Theater Center, McCarter Theatre, Cleveland Play House, The Huntington Theatre, Trinity Repertory Company, Hartford Stage, Actor’s Theatre of Louisville, Syracuse Stage, Cincinnati Playhouse, Long Wharf Theatre, Alabama Shakespeare Festival, Hangar Theatre. For Film and Television, he has voice, dialect and text coached numerous actors, including: Nicole Kidman, Ben Mendelsohn, Sissy Spacek, Alan Rickman, Vanessa Redgrave, Robin Williams, Emma Watson, Andra Day, Miles Teller, Jennifer Hudson, Bill Skarsgard, Lashana Lynch, Lakeith Stanfield, Aaron Eckhart, Katey Segal, Ciaran Hinds, David Oyelowo, Amy Adams, Lily Rabe, Mel Gibson, Olivia Cooke, Tye Sheridan, Simon Peg, Mark Rylance, Sherie Rene Scott, Sienna Miller, Brendan Gleeson, Melissa Leo, Emily Van Camp, Blythe Danner, Logan Lerman, Linda Emond, Ryan Reynolds, and others, as well as for directors Steven Spielberg, Martin Scorcese, Lee Daniels, Ridley Scott, Ben Younger, and others.

Laura Kepley

Laura Kepley

(Director) (she/her) became Artistic Director of Cleveland Play House in 2013, and has directed numerous CPH mainstage productions, including The Crucible; Sweat; The Diary of Anne Frank; In the Next Room, or the vibrator play; Into the Breeches!; Every Brilliant Thing; and the world premieres of Tiny Houses, The more(Director) (she/her) became Artistic Director of Cleveland Play House in 2013, and has directed numerous CPH mainstage productions, including The Crucible; Sweat; The Diary of Anne Frank; In the Next Room, or the vibrator play; Into the Breeches!; Every Brilliant Thing; and the world premieres of Tiny Houses, The Good Peaches, Fairfield, and A Carol for Cleveland. She joined CPH in 2010, having arrived from Trinity Repertory Company in Providence, Rhode Island, where she was Resident Director and Artistic Associate for four seasons and Interim Director of the Brown/Trinity Rep M.F.A. in Directing Program for one. She has also at Playhouse Square clevelandplayhouse.com 25 directed for The Alliance Theatre, Asolo Repertory Theatre, Chautauqua Theater Company, Cincinnati Playhouse in the Park, Contemporary American Theatre Festival, Syracuse Stage, Trinity Rep, and The John F. Kennedy Center for the Performing Arts, among others. A native Ohioan, Laura received her undergraduate degree from Northwestern University and her Master of Fine Arts from Brown University/Trinity Rep. She is a Drama League Fellow, a recipient of the 2009– 2011 National Endowment for the Arts/Theatre Communications Group Career Development Program for Directors, and a member of Leadership Cleveland’s Class of 2021. Locally, she has been recognized with multiple Outstanding Director commendations from The Cleveland Critics Circle, a Cuyahoga Community College Smart Business Smart Women Award, and a Crain’s Cleveland Woman of Note designation.

Lex Liang

(Scenic & Costume Designer ) is delighted to be back at CPH where he previously designed Shakespeare in Love (SD/CD), Ken Ludwig’s Baskerville (CD), The Three Musketeers (CD), The Little Foxes (SD/CD) and many others. Int’l/Nat’l Tours/NYC/Off-B’way: 100+ productions, including Judy Gold’s Yes, I Can Say That! currently playing more(Scenic & Costume Designer ) is delighted to be back at CPH where he previously designed Shakespeare in Love (SD/CD), Ken Ludwig’s Baskerville (CD), The Three Musketeers (CD), The Little Foxes (SD/CD) and many others. Int’l/Nat’l Tours/NYC/Off-B’way: 100+ productions, including Judy Gold’s Yes, I Can Say That! currently playing at Primary Stages, directed by BD Wong. Other recent work includes the world premieres of Emma, Mr. Holland’s Opus, The Tattooed Lady, and May We All. Other Regional: Actor’s Theatre Louisville, Alliance Theatre, Asolo, Cincinnati Playhouse in the Park, Dallas Theatre Center, Denver Center, Geva, Guthrie, La Jolla, Long Wharf, Paper Mill Playhouse, Pasadena Playhouse, Playmaker’s Rep, Portland Center Stage, St. Louis Rep, Syracuse Stage, Woolly Mammoth, ... Lex is the founder and principal of LDC Design Associates, the experiential event design and production company in NYC. Recent projects/clients include Absolut Vodka, Operation Smile, Johnson & Johnson, Ubuntu Pathways, Invesco, The Tony Awards Gala, NYFW, NYWFF, William Hill, and others. www.LexLiang.com @Lex92

Lizzie Robinson

(Assistant Stage Manager) is excited to be a part of The Little Foxes. Select Cleveland Play House credits include The 39 Steps, The Trip to Bountiful, and This Wonderful Life. Other recent credits include Noli Me Tangere, The John F. Kennedy Center for Performing Arts; Much Ado About Nothing, more(Assistant Stage Manager) is excited to be a part of The Little Foxes. Select Cleveland Play House credits include The 39 Steps, The Trip to Bountiful, and This Wonderful Life. Other recent credits include Noli Me Tangere, The John F. Kennedy Center for Performing Arts; Much Ado About Nothing, Theatre For A New Audience; Damn Yankees and The Sound of Music, Porthouse Theatre; and Red, Syracuse Stage. Ms. Robinson is a proud member of Actors’ Equity Association.

Jane Shaw

(Sound Designer) for Cleveland Play House: Sweat; The Royale; Shakespeare in Love (original music); All the Way; Steel Magnolias; The Crucible; The Little Foxes; Grounded; A Carol for Cleveland; and In the Next Room, or the vibrator play. Her credits include Engagement Party (Hartford Stage), Actually (MTC), Annie Get more(Sound Designer) for Cleveland Play House: Sweat; The Royale; Shakespeare in Love (original music); All the Way; Steel Magnolias; The Crucible; The Little Foxes; Grounded; A Carol for Cleveland; and In the Next Room, or the vibrator play. Her credits include Engagement Party (Hartford Stage), Actually (MTC), Annie Get Your Gun (Bay Street), They Promised Her the Moon (Old Globe), Oo Bla Dee (Two River), and productions at Theatre for a New Audience, New York Theatre Workshop, the Mint Theater, Asolo, Northern Stage, Dorset Theater Festival, and American Repertory Theater. Ms. Shaw’s sound designs have earned a Drama Desk, Bessie Award, Henry Award, Connecticut Critics Circle Awards, Premios ACE 2012, Meet the Composer grant, Theatre Communication Group's Career Development Program and nominations for two Lortels, Henry Hewes and Elliot Norton awards. She was born in Kansas and lives in Brooklyn.

Ron Wilson

Ron Wilson

(Fight Choreographer) returned to Cleveland in 1999 to serve as the Chairman of the Department of Theater at Case Western Reserve University and serves as the Director of the CWRU/CPH MFA Acting program. He has been the Resident Fight Choreographer with CPH since 1999. He has directed over 60 more(Fight Choreographer) returned to Cleveland in 1999 to serve as the Chairman of the Department of Theater at Case Western Reserve University and serves as the Director of the CWRU/CPH MFA Acting program. He has been the Resident Fight Choreographer with CPH since 1999. He has directed over 60 productions throughout his career so far. Directing credits for the CWRU/CPH MFA Acting Program include Metamorphoses, In Arabia We’d all Be Kings, Arcadia, Hurlyburly, Bus Stop, Hay Fever and The Real Inspector Hound. Other directing credits include The Triumph of Love, Cincinnati Playhouse in the Park; and The Comedy of Errors, Alabama Shakespeare Festival. Other credits include musical theater, opera, mime and movement theater. Acting credits include The Guardsman, Room Service and The Underpants, Cleveland Play House; and All’s Well That Ends Well, CWRU/CPH MFA Acting Program.

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