From left: James Craven, Austene Van in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, David Alan Anderson in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography.
From left: James Craven, David Alan Anderson in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography.
From left: Terry Bellamy, David Alan Anderson in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Terry Bellamy in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Terry Bellamy in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Abdul Salam El Razzac in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Abdul Salam El Razzac in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Austene Van in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
From left: James Craven, Abdul Salam El Razzac in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
David Alan Anderson in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography.
From left: David Alan Anderson, James Craven in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography.
From left: James Craven, Austene Van in Cleveland Play House's production of Radio Golf directed by Lou Bellamy, in the Allen Theatre at PlayhouseSquare, February 10 – March 4, 2012. Photo credit: Lauren B. Photography
A successful and idealistic entrepreneur aspires to become a city’s first black mayor. But while looking ahead to his and the city’s future, he is forced to reckon with the price of progress. The final chapter in August Wilson’s unprecedented 10-play cycle chronicling African-American life in the 20th century.
Abdul Salaam El Razzac: (Joseph Barlow) is an alumnus of Karamu House Theatre here in Cleveland and a founding member of Penumbra Theatre in Saint, Paul, Minnesota. Regional appearances include Williamstown Theatre Festival, Los Angeles Theatre Center, American Conservatory Theatre, Long Wharf Theatre, Mark Taper Forum, Guthrie Theater, South Coast Repertory, Penumbra, Trinity Rep., Tiffany Theater, The Nate Holden Theater, Oregon Shakespeare Festival, The Kansas City Rep, and Arizona Theatre Company. El Razzac portrayed Avery in the national tour of The Piano Lesson. He received the N.A.A.C.P. Image Award and L.A. Drama Critics Award for his performance as Toledo in Ma Rainey's Black Bottom, and the Image Award for his role as Spencer in Etta Jenks. Television and film includes Martin, Out All Night, Star Trek: The Next Generation, General Hospital, Pretty Woman, Glory, Malcolm X, Terminator 2: Judgment Day, Female Perversion, Becker, Frasier, 8 Mile, Crazy, and Conversations With God, to name a few. El Razzac is also an award-winning theatrical director. less is an alumnus of Karamu House Theatre here in Cleveland and a founding member of Penumbra Theatre in Saint, Paul, Minnesota. Regional appearances include Williamstown Theatre Festival, Los Angeles Theatre Center, American Conservatory Theatre, Long Wharf Theatre, Mark Taper Forum, Guthrie Theater, South Coast Repertory, Penumbra, Trinity Rep., Tiffany Theater,... more
Austene Van: (Mame Wilks) recently directed Hot Chocolate, Gee’s Bend, and Lady Day at Park Square Theatre; A Civil War Christmas at History Theatre; Blues in the Night at Ordway; and Black Nativity at Penumbra Theatre. As an actor her credits include Gem of the Ocean, Blue, Ain’t Misbehavin’, Dinah Was, Blues for an Alabama Sky, and Seven Guitars at Penumbra Theatre; Amen Corner, Gem of the Ocean, Darker Face of the Earth, and A Christmas Carol at Guthrie Theater; To Kill a Mockingbird at Park Square; Once on this Island at Minneapolis Children's Theatre Company; and Singing in the Rain as Lina Lamant at Ordway. Van is a Penumbra Theatre Company member since 1997, and she is associate artistic director of History Theatre in St. Paul, MN. less recently directed Hot Chocolate, Gee’s Bend, and Lady Day at Park Square Theatre; A Civil War Christmas at History Theatre; Blues in the Night at Ordway; and Black Nativity at Penumbra Theatre. As an actor her credits include Gem of the Ocean, Blue, Ain’t Misbehavin’, Dinah Was, Blues for an Alabama Sky,... more
David Alan Anderson: (Roosevelt Hicks) returns to Cleveland Play House where he played Walter Lee Younger in the 2008 production of A Raisin in the Sun. Anderson is a frequent performer at Indiana Repertory Theatre where his many credits include Looking Over the Presidents Shoulder, Searching for Eden, Gem of the Ocean, Blues for an Alabama Sky, Julius Caesar, The Heavens are Hung in Black, Crumbs From the Table of Joy, and many others. He is a member of Penumbra Theatre Company where credits include Seven Guitars, Jitney, King Hedley II, Two Trains Running, and A Raisin in the Sun. Regionally he has appeared in Othello at Great Lakes Theater; Othello and King Lear, Pennsylvania Shakespeare Festival; Guthrie Theater; Baltimore CENTERSTAGE; Berkshire Theatre Festival; People’s Light & Theatre; Arizona Theatre Company; The Kansas City Rep; Actors Theatre of Louisville; Geva Theatre; and Syracuse Stage, among others. Anderson also directs and teaches. less returns to Cleveland Play House where he played Walter Lee Younger in the 2008 production of A Raisin in the Sun. Anderson is a frequent performer at Indiana Repertory Theatre where his many credits include Looking Over the Presidents Shoulder, Searching for Eden, Gem of the Ocean, Blues for an... more
James Craven: (Harmond Wilks) is a longtime member of Penumbra Theatre Company and has performed nationwide in many other major theatres, as well as on Broadway in The Gospel at Colonus. His favorite roles include Cutler in Ma Rainey’s Black Bottom, Loomis in Joe Turner’s Come and Gone, Memphis in Two Trains Running, Turnbo in Jitney, Red in Seven Guitars and Al in On the Open Road. Film and television credits include Sneakers, Downtown, The Convincer, Twin Peaks, Jake and the Fatman, Strange as Angels, D:3 The Mighty Ducks, Bill’s Gun Shop and The Young and the Restless. He was recognized for artistic excellence in 2005 by the Spencer Cherashore Fund, 2007 by the McKnight Theatre Artist Fellowship, and in 2011 by the Ten Chimneys Foundation Lunt-Fontanne Fellowship. He is a member of The Playwrights’ Center in Minneapolis and the World Wildlife Fund. Craven is a graduate of Carnegie Mellon University. less is a longtime member of Penumbra Theatre Company and has performed nationwide in many other major theatres, as well as on Broadway in The Gospel at Colonus. His favorite roles include Cutler in Ma Rainey’s Black Bottom, Loomis in Joe Turner’s Come and Gone, Memphis in Two Trains Running, Turnbo... more
Terry Bellamy: (Sterling Johnson) is an actor, director, playwright, educator and script surgeon. He is a founding member of Penumbra Theatre and received the William Griffen Award for Outstanding Contribution to Penumbra, as well as two Drama Critics’ Circle Awards for his accomplishments as an actor. Regional theatre credits include Guthrie Theater, Baltimore CENTERSTAGE, Actors Theatre of Louisville, Goodman Theatre, Milwaukee Repertory Theater, Hudson Guild Theatre Company in New York, and The National Black Theatre Festival in Winston-Salem, NC. In the Minneapolis area Bellamy has performed at Children's Theatre Company, Park Square Theatre, Mixed Blood, Illusion Theater, 10,000 Things, The Playwrights’ Center Playlabs, Chimera Theatre Company, and History Theatre. He has taught Advanced Acting at Children’s Theatre Company, Black Drama at Penumbra, and has held acting workshops around the country. He was just granted a Many Voices Fellowship from The Playwrights’ Center. He is proud to reprise the role of Sterling in August Wilson's Radio Golf! less is an actor, director, playwright, educator and script surgeon. He is a founding member of Penumbra Theatre and received the William Griffen Award for Outstanding Contribution to Penumbra, as well as two Drama Critics’ Circle Awards for his accomplishments as an actor. Regional theatre credits include Guthrie Theater, Baltimore CENTERSTAGE,... more
August Wilson: (Playwright) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II and Radio Golf among many others. His works explore the heritage and experience of African Americans, decade by decade, over the course of the twentieth century. Wilson’s plays have been produced at regional theatres across the country, on Broadway and throughout the world. His work garnered many awards, including the Pulitzer Prize for Fences (1987) and The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; eight New York Drama Critics’ Circle Awards; Rockefeller and Guggenheim Fellowships; the Whiting Writers’ Award; the 2003 Heinz Award; and a 1985 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. He was presented a 1999 National Humanities Medal by the President of the United States and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and Broadway changed the name of the theatre at 245 West 52nd Street to August Wilson Theatre. In 2007 he was posthumously inducted into the Theater Hall of Fame. Born and raised in the Hill District of Pittsburgh, Wilson lived in Seattle at the time of his death. less authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II and Radio Golf among many others. His works explore the heritage and experience of African Americans, decade by decade, over the course of... more
Don Darnutzer: (Lighting Designer) has designed lighting for numerous Cleveland Play House productions, most recently Dream a Little Dream in 2006. He was lighting designer of Broadway’s It Ain’t Nothin’ but the Blues (Tony Award nominee for Best New Musical) and off-Broadway’s Hank Williams: Lost Highway, John Denver’s Almost Heaven, and The Immigrant. His regional theatre credits include American Conservatory Theatre, Guthrie Theater, Kennedy Center for the Performing Arts, Denver Center Theatre Company, The Kansas City Repertory Theatre, Alley Theatre, Seattle Repertory Theatre, BB King’s Blues Club, Hartford Stage, The Shakespeare Theatre, Arizona Theatre Company, Actors Theatre of Louisville, Syracuse Stage, Coconut Grove Playhouse, Penumbra Theatre, Alabama Shakespeare Festival, and Geva Theatre Center. The opera companies he has designed for are New Orleans Opera, Minnesota Opera Company, Opera Omaha, Atlanta Opera, Chautauqua Opera Company, Central City Opera, Portland Opera, Palm Beach Opera, Opera Grand Rapids and San Antonio Festival. less has designed lighting for numerous Cleveland Play House productions, most recently Dream a Little Dream in 2006. He was lighting designer of Broadway’s It Ain’t Nothin’ but the Blues (Tony Award nominee for Best New Musical) and off-Broadway’s Hank Williams: Lost Highway, John Denver’s Almost Heaven, and The Immigrant. His... more
Karen Perry: (Costume Designer) recently designed costumes for Pearl Cleage's Blues for an Alabama Sky directed by Sheldon Epps at Pasadena Playhouse; John Grisham’s A Time to Kill at Arena Stage directed by Ethan McSweeney; Regina Taylor's Trinity River Plays at Dallas Theater Center and Goodman Theatre; Walter Mosley's The Fall of Heaven directed by Tony Award nominee Marion McClinton at Cincinnati Playhouse in the Park; The Brother/Sister Plays by Pulitzer Prize nominee Tarell McCraney, directed by Tina Landau at The Public Theater and jointly directed by Tina Landau and Robert O'Hara, McCarter Theatre Center; Having our Say written and directed by Emily Mann at McCarter Theatre Center in celebration of Mann’s 20th Anniversary with McCarter; and Arena Stage's Resurrection, by Daniel Beaty, directed by Oz Scott. Recent awards include a Lucille Lortel and an Audelco Award for Brother/Sister Plays and A Craig Noel Award for Outstanding Costume Design, August Wilson’s Two Trains Running, The Old Globe. less recently designed costumes for Pearl Cleage's Blues for an Alabama Sky directed by Sheldon Epps at Pasadena Playhouse; John Grisham’s A Time to Kill at Arena Stage directed by Ethan McSweeney; Regina Taylor's Trinity River Plays at Dallas Theater Center and Goodman Theatre; Walter Mosley's The Fall of Heaven directed... more
Lou Bellamy: (Director) is founder and artistic director of Penumbra Theatre. During his 36-year tenure, Penumbra has evolved into one of America’s premier theatres dedicated to dramatic exploration of the African American experience. Under Bellamy’s leadership, Penumbra has produced 24 world premieres, including August Wilson’s first professional production, and is proud to have produced more of Wilson’s plays than any other theatre in the world. Bellamy is an Obie Award-winning director, an accomplished actor, and a sought after scholar. Directing credits include A Raisin in the Sun at Cleveland Play House, Arizona Theatre Company, and Guthrie Theater; I Wish You Love at Penumbra, Kennedy Center, and Hartford Stage; Two Trains Running at Signature Theatre in New York; Jitney at The Kansas City Repertory Theatre and Arizona Theatre Company; and Ma Rainey’s Black Bottom at Arizona Theatre and the Guthrie Theater. He was for years a widely known and respected associate professor in the University of Minnesota’s Department of Theatre and Dance. less is founder and artistic director of Penumbra Theatre. During his 36-year tenure, Penumbra has evolved into one of America’s premier theatres dedicated to dramatic exploration of the African American experience. Under Bellamy’s leadership, Penumbra has produced 24 world premieres, including August Wilson’s first professional production, and is proud to have... more
Shannon Habenicht: (Stage Manager) is in her fourth season with Cleveland Play House. Her CPH stage management credits include Ken Ludwig’s The Game’s Afoot (or Holmes for the Holidays), The Kite Runner, Backwards in High Heels, My Name is Asher Lev, A Christmas Story, Ain't Misbehavin’, Bill W. and Dr. Bob, Mahalia: A Gospel Musical, A Christmas Story, Noises Off!, Tuesdays with Morrie, The Piano Lesson, and Rounding Third. She has stage managed at Great Lakes Theater and Idaho Shakespeare Festival numerous productions including A Christmas Carol, Arsenic and Old Lace, Hayfever, Love’s Labour’s Lost, Romeo and Juliet, Amadeus, The Merry Wives of Windsor, The Importance of Being Earnest, and The Complete Works of William Shakespeare (abridged). less is in her fourth season with Cleveland Play House. Her CPH stage management credits include Ken Ludwig’s The Game’s Afoot (or Holmes for the Holidays), The Kite Runner, Backwards in High Heels, My Name is Asher Lev, A Christmas Story, Ain't Misbehavin’, Bill W. and Dr. Bob, Mahalia: A Gospel... more
Vicki Smith: (Scenic Designer) designed A Raisin in the Sun, Dream a Little Dream, Dinner Party, Dirty Blonde, The Guardsman, Emancipation of Valet du Chambre, Picasso at the Lapin Agile, Russian Romance, Dracula, The Diary of Anne Frank, Oleanna, and The African Company Presents Richard III for Cleveland Play House. She has designed 50 productions for Denver Center Theatre Company and has also designed for Children’s Theatre Company, The Kansas City Repertory Theatre, Arizona Theatre Company, Penumbra Theatre Company, Seattle Repertory Theatre, Actors Theatre of Louisville, The Repertory Theatre of St. Louis, Geva Theatre Center, Milwaukee Repertory Theater, Dallas Theater Center, Oregon Shakespeare Festival, Pittsburgh Public Theater, Alley Theatre, Berkeley Repertory Theatre, and others. Smith received Bay Area Critics’ Awards for Kite Runner and Execution of Justice, a Drama-Logue award for Cyrano, Colorado Theatre Guild and Denver Ovation Awards for Mariela in the Desert, I’m Not Rappaport and Pierre; and Smith’s work was selected for the Prague Quadrennial Design Exposition 2007. less designed A Raisin in the Sun, Dream a Little Dream, Dinner Party, Dirty Blonde, The Guardsman, Emancipation of Valet du Chambre, Picasso at the Lapin Agile, Russian Romance, Dracula, The Diary of Anne Frank, Oleanna, and The African Company Presents Richard III for Cleveland Play House. She has designed 50... more
February 12 @ 7:30pm - 10:30pm
US Bank and Urban League of Greater Cleveland "An Evening of Theatre"
February 13 @ 12:00pm - 1:00pm
"The Business of Progress"
February 13 @ 6:00pm - 8:00pm
Ohio City Open House
February 14 @ 5:00pm - 9:30pm
Educator Evening - Radio Golf
February 16 @ 6:00pm - 10:30pm
Student Night @ CPH
February 18 @ 5:30pm - 6:00pm
Post-Show Panel Discussion: Radio Golf
February 19 @ 5:30pm - 6:00pm
Post-show Discussion: Radio Golf
February 21 @ 10:00pm - 10:30pm
Post-Show Panel Discussion: Radio Golf
February 25 @ 5:30pm - 6:00pm
Post-Show Panel Discussion: Radio Golf
February 26 @ 5:30pm - 6:00pm
Post-show Discussion: Radio Golf
February 28 @ 10:00pm - 10:30pm
Post-Show Panel Discussion: Radio Golf
March 03 @ 5:30pm - 6:00pm
Post-Show Panel Discussion: Radio Golf
March 04 @ 5:30pm - 6:00pm
Post-Show Audience Forum: Radio Golf
Radio Golf Neighborhood Journal : August Wilson’s Radio Golf asks the questions, “Can you build the future without bulldozing the past?” Our area is in a time of transition right now, too, and we wanted to know how our audiences’ neighborhoods have changed. A 4’x8’ version of this map of Cuyahoga County is in the Allen Lobby, and people are placing a pin where they live—green for positive change, red for negative—then sharing their stories in our Neighborhood Journal. We’ll be posting selected Journal entries online throughout the run of Radio Golf, so check back to see how your experiences compare. Radio Golf Neighborhood Journal Entries “We love to support our local businesses and value the history of the community.” ~ Cleveland Heights “We live on the Shaker – Cleveland border. We hear the gunshots and see the riff-raff from Cleveland making trouble. We and our neighborhood have been burglarized numerous times over the past 15 years. And yet it is a re-affirming and good thing to see the young families come in and set down roots in the face of all the potential troubles.” ~ Shaker Heights “The culture, history and educational facilities of Downtown Cleveland have kept us in Northern Ohio despite many opportunities for warmer climates/ newer venues like Atlanta … etc. We cherish all Cleveland offers – unavailable in other cities! Our Theaters, our Museums, our History, and our Orchestra lead the pack! Lucky Us! Support the Arts or LOSE them.” ~ Brecksville “It has the advantages of a College town and all the facilities for comfortable living, including being close to Cleveland. Improvements such as the overpass bridges are welcome!” ~ Berea “New restaurants & businesses like Mitchell’s are moving to Ohio City. But shootings and robberies are still happening. But I’m hopeful.” ~ C. from Ohio City “We live in Cleveland Heights. The Recession has closed some businesses but new ones have sprouted. Our children had a great school experience and have grown to be great adults. We love to walk to the grocery and restaurants and swim in the summer in the community pool.” ~ Cleveland Heights “Good & Bad changes – areas of retail are picking up, but on the other hand, schools are closing and crime is up. I don’t feel as safe as I think I could be. But turn around and walk down another block – it’s all growing! My husband wants to move, but I’m ok and proud still to live in my city.” “My childhood home in Elyria was demolished and replaced by a 4-lane highway. That’s Progress.” ~ Elyria “Having lived in my city for over 40 years, changes there (and everywhere) have been considerable - Fewer children outside after school, or walking to school, new windows and siding, decks and patios. People living in our neighborhood are a diverse group, somewhat more so than 40 years ago, but still civic-minded and civil.” “I’ve lived in Slavic Village which is having positive change on my side of Broadway, but negative change (empty, bulldozed homes) closer to Newburg Heights. Not enough people know the history of the rich neighborhood.” ~ Slavic Village “I’ve seen school levies fail recently and I wonder what impact that will have on the crime rate and civic pride in my neighborhood.” “Lots of negative but some positive – Slavic Village in Cleveland is almost nothing like it was 60 years ago, but many positive, constructive things are happening. I would love to be alive long enough to see it turned around like Tremont, which still has problems but is a thriving, vibrant, creative neighborhood. (I put a red and green pin in the map)” ~ Slavic Village “Brecksville has slow careful growth that strives to emphasize its large green open spaces (metropark, national park) and keep out large retail spaces such as Wal-Mart, Costco, Lowe’s, etc.” ~ Brecksville less August Wilson’s Radio Golf asks the questions, “Can you build the future without bulldozing the past?” Our area is in a time of transition right now, too, and we wanted to know how our audiences’ neighborhoods have changed. A 4’x8’ version of this map of Cuyahoga County is... more
The Season of August: For some, August Wilson is African-American Theater. His plays are the ones most likely to appear in anthologies as representative of the works of African-American drama. His prolific career as a playwright is highlighted by the signature achievement of having written ten dramas - his Pittsburgh Cycle - wherein each play takes place in a different decade of the twentieth century. Wilson's plays portray the African-American experience as a conglomeration of history, poetry and everyday life. Cleveland Play House is proud to join 4 other NE Ohio area theatres who are all producing works by August Wilson this year.For more information, click the related files link to view our flyer. less For some, August Wilson is African-American Theater. His plays are the ones most likely to appear in anthologies as representative of the works of African-American drama. His prolific career as a playwright is highlighted by the signature achievement of having written ten dramas - his Pittsburgh Cycle - wherein each... more
Play Guide - Radio Golf: Click on the related files link below to view the Play Guide! The CPH Play Guide is a new feature this season which gives you a deeper look at the people, themes and ideas behind the play. We hope you’re making the Guide a part of your play-going and that it’s enriching your CPH experience!Though Radio Golf takes place in 1997 Pittsburgh, it’s no exaggeration to say it could be set in 2012 Cleveland, so relevant is its central question: “Can you build the future without bulldozing the past?”Learn how Pittsburgh’s Hill District—the setting for Radio Golf—parallels Cleveland’s own Hough—CPH’s neighborhood for 96 years.Find out how a “400 year biography” translates into 100 years of stories for the stage.Take a look at the ups and downs of African American experience in radio broadcasting.And though Wilson’s lead character is running to be the first black mayor of Pittsburgh in the play, you can relive Cleveland history by reading about our own Carl B. Stokes.If you enjoy these Play Guides, be sure to join us 45 minutes before every performance for a free, fun and informal pre-show conversation!Here’s hoping your Radio Golf experience is a hole-in-one!Click on the related files link below to view the Play Guide! less Click on the related files link below to view the Play Guide! The CPH Play Guide is a new feature this season which gives you a deeper look at the people, themes and... more
August Wilson in Spring Semester: As Artistic Associate for Engagement, I'm always looking for ways to connect the work we produce with the community we serve--after all, we choose the plays in our season because we believe they have something to say to our region. That's especially true of our next show, Radio Golf, by legendary playwright August Wilson. This play asks "Can you build the future without bulldozing the past," and couldn't be more relevant to Cleveland. Wilson astutely weaves issues of race and gender, economic and educational privilege, and civic duty into a play filled with characters we can relate to and care about. Since this play is so full of big, juicy questions, we're partnering with civic, business and education leaders throughout the community to bring the themes and ideas directly to the community. First, we've programmed five special post-show panel discussions featuring local experts from areas of politics, education, urban studies and development, African American history and culture, and Community Development. These will take place after Tuesday evening performances on 2/21 and 2/28, and after all Saturday matinee performances. We're also working with the Commission on Economic Inclusion to bring a unique program called "The Business of Change," featuring cast members from the play and facilitated discussion, to Employee Resource Groups at major area businesses like Key Bank.Finally, we're very excited to be working with our Power of Three partner, Cleveland State University, for a series called "August (Wilson) in Spring (Semester). In conjunction with CSU's Black Studies Program and the Howard A. Mims African American Cultural Center, CPH is proud to present several round table discussions with NEOhio directors from an unprecedented 5 five area theatres who are producing August Wilson works this spring, as well as with Cleveland area playwrights and scholars who can connect us with Wilson's work in ways we never realized. Check out CSU's flier for more on these events, and we'll see you there! less As Artistic Associate for Engagement, I'm always looking for ways to connect the work we produce with the community we serve--after all, we choose the plays in our season because we believe they have something to say to our region. That's especially true of our next show, Radio Golf, by... more
Radio Golf
February 10 - March 4, Allen Theatre
Written by August Wilson
Directed by Lou Bellamy
Runtime:
Act I: 85 minutes
Intermission: 15 minutes
Act II: 65 minutes
Total Run Time: 2 hours 45 minutes
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Great Theater
- The New York Post, NYC
Great acting. A. Wilson captured the dilemma that is being played out in real more life over and over on how the fierce struggle for our gains can lead to erosion of precious ethics in unexpected ways.
- MB, Willoughby Hills
Crackling comedy. Engaging snap and theatrical zest.
- The New York Times, NYC
I loved this play, the production and the message. I continued to think about more the moral and ethical decisions which were presented throughout the weekend. So glad i saw it!
- Deborah B., Westlake
We saw 'two trains' years ago, missed 'Ma Raney" because of weather, but this show more
was great
the new theaters make for much better sound and the set was wonderful as were the actors
- Robert & Victoria Curtis, Mentor
Very thought provoking play showing the dilemma faced by many faced with the price of more progress. The dialogue and humor was a treat.
- KC, South Russell
Radio Golf hit every high note. Beautifully done, and I know that I am more repeating myself, but Corey Atkins is SO GOOD! We love the way he introduces each play. Great addition to your staff.
- Bev G., Cleveland
Outstanding acting. This was the only August Wilson play I had not seen of more the Centennial Series. It dealt with complex issues of doing what you are groomed to do compared to the question of what you are willing to risk to preserve history and culture. I highly recommend it.
- Njeri , Cleveland Heights, OH
This was a remarkable production. I have thought about these characters and their struggles more every day since I saw the play. The acting was possibly the best I have ever seen. I have known people much like these characters, in my life; now, I feel I know them even better because of Wilson's writing and the actors' portrayals. It is amazing to reflect that the play takes place entirely in one room and an outside passageway. The writing and acting is so good that the audience "goes with" Roosevelt to the country club, and with Mr. Barlow and Sterling to1839 Wylie. We can see everything because the script and the acting take us to these places. This is a remarkable play in a remarkable production. Everyone should see this play.
- MitsiWagner, Cleveland, Ohio
Very insightful and entertaining. Encore!
- FG, Beachwood
Phenomenal work! This was my first August Wilson experience; I didn't know what to more expect. My soul is stirred from witnessing such brilliant writing coupled with exemplary acting. Each character was crafted to speak to different aspects of the African American experience- and it did exactly that. I'm proud of their accomplishment. Well done!
- Tiffany Fields, Cleveland
Great Theater
- The New York Post, NYC





















